
Tuning in to the Neo-Avant-Garde
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Persons
Lars Bernaerts is Associate Professor of Dutch Literature at the Department of Literary Studies of Ghent University
Siebe Bluijs is a Postdoctoral Researcher at the Department of Communication and Cognition of Tilburg University
Pim Verhulst is a Postdoctoral Researcher at the University of Oxford and a Teaching Assistant at the University of Antwerp -- .
Content
1 Transnational, untranslatable: Apollinaire in Freddy de Vree's multilingual radiophonic composition A Pollen in the Air - Lars Bernaerts
2 Radiophonic art and electroacoustic music: an aesthetic controversy during the establishment of the BBC Radiophonic Workshop and the radiophonic poem Private Dreams and Public Nightmares - Tatiana Eichenberger
3 A forefront in the aftermath? Recorded sound and the state of audio play on post-'golden age' US network radio - Harry Heuser
4 Croaks and calls: posthuman sound ecologies in the neo-avant-garde - Jesper Olsson
5 Textual and audiophonic collage in Dutch and Flemish radio plays - Siebe Bluijs
6 'Ja, ja, so schoen klingt das Schreckliche': an audionarratological analysis of Andreas Ammer and FM Einheit's Lost & Found: Das Paradies- - Jarmila Mildorf
Part II: The acoustic neo-avant-garde between theatre, music and poetry
7 Poetry on the Austrian radio: sound, voice and intermediality - Daniel Gilfillan
8 Gerhard Ruehm's radiophonic poetry - Roland Innerhofer
9 A theatre of choric voices: Jandl and Mayroecker's radio play Spaltungen - Inge Arteel
10 Language, sound and textuality: Caryl Churchill's Identical Twins as neo-avant-garde (radio) drama - Pim Verhulst
11 Studio audience: Glenn Gould's contrapuntal radio - Adam J. Frank
Index -- .
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