
Insurrecto
Description
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In 1901, Filipino revolutionaries attacked an American garrison in Balangiga, on the island of Samar, and American soldiers created 'a howling wilderness' of the surrounding countryside in retaliation, murdering thousands of the inhabitants of Balangiga. In the 1970s, the American filmmaker Ludo Brasi went missing in Samar while shooting a movie, The Unintended, inspired by these events. In 2018, his daughter Chiara and the Filipino translator Magsalin go on a road trip in Duterte's Philippines. Chiara is working on a film about the Balangiga massacre, when Magsalin reads Chiara's film script and writes her own version of the story. Within the spiralling voices and narrative layers of Insurrecto are stories of women - artists, lovers, revolutionaries, daughters - finding their way to their own truths and histories. By pushing up against the limits of fiction in order to recover the atrocity in Balangiga, Gina Apostol shows us the dark heart of an untold and forgotten war.
'A bravura performance in which war becomes farce, history becomes burlesque... Apostol is a magician with language (think Borges, think Nabokov) who can swing from slang and mockery to the stodgy argot of critical theory. She puns with gusto, potently and unabashedly, until one begins reading double meanings, allusions and ulterior motives into everything.' - Jen McDonald, New York Times
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Content
- Intro
- Praise
- Title Page
- Epigraph
- Contents
- Cast of Characters
- PART ONE. A MYSTERY
- 20. THE INSOLUBLE PUZZLE AT THE HEART OF THE LABYRINTH
- 2. AT ALI MALL
- 3. A DECREPIT, CRAMPED CEMENT BLOCK OF SHOPS
- 21. EVERYTHING IN THE WORLD IS DOUBLED
- 4. CHIARA AFFIRMS SHE IS THE DAUGHTER
- 22. WHY SAMAR?
- 5. CHIARA CRAFTS A MOVIE SCRIPT
- 6. WHY SAMAR??!!
- 23. BEFORE THE WEEPING
- 7. THERE IS ALWAYS AN ALTERNATE STORY
- 24. THE MONSOONS OF MANILA
- 8. A FILM WITH A VOID AT ITS HEART
- 9. THE THRILLA IN MANILA
- 10. TRANSLATIONS
- 11. MAGSALIN, ON THE OTHER HAND, WILL BE WANDERING
- 25. ITS MOLTING SPIRALS
- 12. WHAT CHIARA DOES NOT REVEAL
- 13. A MOTIF OF THE POSTMODERN
- 14. THE M.O. OF CLOWNS
- 15. THE NEED TO FORGET
- 16, also 26. THE MODEL FOR THE PHOTOGRAPHER
- 17. THE DOSSIER MAGSALIN RECEIVES
- 27. ELVIS IS POLITE AND LONGS FOR LOVE
- 21. THE PHOTOGRAPHER AT THE HEART OF THE SCRIPT
- 18. IN PUNTA
- 19. IN THE LAST NOVEL BY STÉPHANE RÉAL
- PART TWO. DUEL SCRIPTS
- 22. TRISTESSES
- 1. THE STORY SHE WISHES TO TELL, AN ABACA WEAVE, A WARP AND WEFT OF NUMBERS
- 28. A SECRET, METASTASIZING THING
- 1. BY THE TIME THEY PASS ORAS
- 23. CASSANDRA CHASE'S PRESENCE IN SAMAR
- 29. THE INTENDED
- 1. MV BLANKET
- 24. DAYS OF THE HABAGAT
- 1. SETTLING FINALLY ONTO SAMAR
- 25. THE ORDINARY MIRACLE OF STEREOPSIS
- 1. ON THE WAY TO BALANGIGA
- 26. PADRE DONATO FEELS THE HEAT
- 30. DAYS OF THE DEAD
- 31. THE TRAIL
- 1. ACROSS THE STRAIT
- 27. NOON
- 1. NOT EVEN HER MOTHER'S PHONE CALL
- 28. WHAT SHE WANTS IS THE SENSE OF A GHOST
- 1. THE SEA IS MEMORY
- 32. THE MONSTROUS IDOL
- 29. STEREOVISION
- 1. SHE RIDES ALONG THE COAST TOWARD A HISTORIC
- 30. VESPERS
- 33. THE PORTRAIT
- 34. HOW COULD SHE KNOW
- 1. THE BLOOD
- 31. THE FABULOUS PORTAGE
- 32. CASIANA NACIONALES
- 33. THE KEYS
- 34. BREAKFAST IN BALANGIGA
- 35. AN APOTHEOSIS
- 1. THE WOMEN GIVE EACH OTHER
- 35. SORROW IS A WEAVE, A SINUOUS BRAID OF MANILA HEMP
- 36. FINALLY, THE KARAOKE
- The End
- Acknowledgments
- About the Author
- Copyright
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