
Blackness in Opera
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Content
- Cover
- Title Page
- Copyright Page
- Contents
- Foreword: Singing in the Dark Guthrie P. Ramsey Jr.
- Preface
- Introduction: Representing Blackness on the Operatic Stage
- 1. From Otello to Porgy: Blackness, Masculinity, and Morality in Opera Naomi André
- 2. Hearing the Other in The Masque of Blackness Sarah Schmalenberger
- 3. Nationalism, Racial Difference, and "Egyptian" Meaning in Verdi's Aida Christopher R. Gauthier an
- 4. Race, "Realism," and Fate in Frederick Delius's Koanga Eric Saylor
- 5. Political Currents and Black Culture in Scott Joplin's Treemonisha Ann Sears
- 6. Clarence Cameron White's Ouanga! in the World of the Harlem Renaissance Karen M. Bryan
- 7. New Paradigms in William Grant Still's Blue Steel Gayle Murchison
- 8. Performers in Catfish Row: Porgy and Bess as Collaboration Gwynne Kuhner Brown
- 9. Searching for "Authenticity" in Paul Bowles's Denmark Vesey Melissa J. De Graaf
- 10. The Politics of Color in Oscar Hammerstein's Carmen Jones Melinda Boyd
- 11, Performing Race in Ernst Krenek's Jonny spielt auf Jonathan O. Wipplinger
- 12. Il Rodolfo Nero, or The Masque of Blackness George Shirley
- Contributors
- Index
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