The Visual Dictionary of Graphic Design
Published on 4. December 2006
288 pages
978-2-940439-65-2 (ISBN)
Description
The Visual Dictionary of Graphic Design is a comprehensive guide to the numerous terms used within graphic design and associated disciplines.
Over 250 terms are explained and contextualized, with concise definitions accompanied by illustrations and examples taken from historical and contemporary graphic design.
The dictionary covers traditional practice and process terms as well as modern terminology. It also defines a wide variety of practical terms, such as Perfect binding, Deboss and Strikethrough, as well as movements and styles including Surrealism, Psychadelia and Postmodernism.
Over 250 terms are explained and contextualized, with concise definitions accompanied by illustrations and examples taken from historical and contemporary graphic design.
The dictionary covers traditional practice and process terms as well as modern terminology. It also defines a wide variety of practical terms, such as Perfect binding, Deboss and Strikethrough, as well as movements and styles including Surrealism, Psychadelia and Postmodernism.
Reviews / Votes
Extremely useful for quick reference when students aren't sure what terminology means. It's faster and more fun than Google! * Jesse Lyons, Warwickshire College, UK * A great book, visually interesting and impressive for general terms. Another great Gavin Ambrose book! The most visually interesting dictionary ever. This is more likely to be used than any other by students. I love it. * Donna Stephens, Plymouth College of Art, UK * It is perfect for the students I teach as it is easy to use, includes a lot of visuals and has short, bite-sized chunks of info. It doesn't feel like an effort to use. * Simon Mobbs, South Downs College, UK * The Visual Dictionary of Graphic Design may be a petite publication, but it's packed with lots of valuable information. Design gurus and students alike will enjoy clear definitions and ... visual examples of commonly misunderstood or misused design-related jargon. Great text for building or reviewing design basics, or for inspiration for new projects. * Dynamic Graphics, June/July 2007 * Easy to access for beginners, concise information, good for exam answers. Excellent colour examples, relevant and interesting. * Carl Simpson, Broxburn Academy, UK * All those very useful things that you need to show a student all gathered under one cover. Brilliant. * Vicki Winteringham, Norwich University College of the Arts, UK * A thorough, refreshing text that effectively utilises new imagery to breathe fresh life into the subject. It's great to see new examples of key works. * Gyles Lingwood, University of Lincoln, UK * This is a great book for an intro-level graphic design course but also as an ongoing reference guide for graphic design students in their writing and critiquing, not to mention a wonderful visual resource. * Daryl Fazio, Coastal Carolina University, USA * This would be a wonderful addition to any graphic design library ... I like the small size. Makes it easy for students to carry in their backpaks for reference. It covers a broad range of terms that Graphic Design students need to know. * Colleen Martin, Aims Community College, USA *More details
Series
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing PLC (Digital)
Illustrations
300 colour illus
File size
19,50 MB
ISBN-13
978-2-940439-65-2 (9782940439652)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Gavin Ambrose | Paul Harris
The Visual Dictionary of Graphic Design
Book
12/2006
AVA Publishing SA
€41.03
Article exhausted; check different version
Persons
Gavin Ambrose is a practising graphic designer. His current commercial practice includes clients from the arts sector, publishers and advertising agencies. Paul Harris is a freelance writer and editor. His work has appeared extensively in magazines and journals on both sides of the Atlantic.
