
Concepts of Humans and Nature in Historical Perspective
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The "Graduiertenkolleg 1876" in Mainz examined how concepts of humans and nature developed in the Middle East, North Africa and Europe from 100,000 BC to the Middle Ages. The aim of the conference papers collected in this volume is to study such fundamental components of concepts of humans and the natural environment that can be regarded as relatively universal across cultures.
The eight interdisciplinary contributions start with an article by the ethnologist Christoph Antweiler on the universality of world concepts in modern cultures. One chapter explores possible concept formations in the early phases of human development. This is followed by three philological-archaeological contributions on concepts of the sea in the Near East as well as medical concepts and concepts of the human semen in the Near East and Egypt. Two papers deal with concepts of the body in Greek antiquity, as they can be derived from pictorial representations on Phlyax-vases, and with the category "animal". An article on the role of zoology in medieval German literature is closely connected. In an epilogue, the insights gained are summarized and an attempt is made to evaluate them with a view to the universality of the concepts dealt with.
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Content
- Intro
- Preface
- Contents
- Pankulturelle Weltkonzepte und Menschenbilder?: Zur Universalität von Vorstellungen zu Welt, Natur und Mensch
- Zusammenfassung
- 1 Universalien - pankulturelle Muster in der globalen Vielfalt
- 2 Weltbilder und Menschenbilder - Natur, Kultur, Person
- 3 Kosmen - Konzepte der Meso- und Makrowelt
- 4 Zeitkonzepte und Raumvorstellungen
- 5 Natur - Umweltkonzepte und Kausalitätskonzepte
- 6 Der Mensch als "Erdling" - Neue Welt- und Menschenbilder im Anthropozän
- 7 Coda
- Literaturverzeichnis
- The Origins of Human Visual Culture: A Three-Stage Hypothesis From Babble to Concordancy
- Introduction: The Problem with 'Man and His Symbols'
- Palaeolithic Visual Culture
- The Origins of Visual Culture: Personal Habits to Concordant Visual Culture
- Babble to Concordancy
- Conclusions
- Bibliography
- 03_Althoff_0426_EF_Ch03
- The Powers of Semen and Their Conceptualization in Ancient Mesopotamia und Egypt
- 1 Introduction
- 2 The Fluid Notions of Semen: Terms and Meanings
- 2.1 Ancient Mesopotamian Terms (Akkadian and Sumerian)
- 2.2 Ancient Egyptian Terms
- 3 Creative Connotations: Semen as a Generative, Life-Giving Bodily Fluid
- 3.1 Creative Connotations: Semen as a Life-Giving Bodily Fluid in Ancient Egyptian Sources
- 3.2 Semen and Procreation in Mesopotamian Texts
- 4 Negative Connotations: Semen and Sickness, Infection, Impurity
- 4.1 The Illness-Inflicting Semen of Superhuman Agents
- 4.1.1 Mesopotamian Examples
- 4.1.2 Egyptian Examples
- 5 Conclusions
- Abbreviations
- Bibliography
- Die übernatürlichen Konnotationen des Meeres im östlichen Mittelmeerraum des 2. Jahrtausends v. Chr
- Archäologische Befunde für maritime Verehrungspraktiken
- Göttliches Meer - Götter des Meeres - Meeresgötter?
- Das Meer als Ort
- Das Meer als natürliches Numen oder als personifizierter Gott
- Fazit
- Literaturverzeichnis
- Model Variation for Experiencing Sickness: Comparing Egyptian st.t with Akkadian ?etu
- 1 Introduction
- 2 St.t in Egyptian Sources
- 3 ?etu in Mesopotamian Sources
- 4 Conclusion
- Bibliography
- 'Das Tier' oder 'die Tiere' in den griechischen Texten: Ein philosophisches Missverständnis über ein Konzept ohne richtige Einzahl
- 1 Kritik der Konzepte in ihrer Beziehung zum phänomenal Gegebenen
- 2 Der allgemeine Rahmen der Physis als Anlass zu einer konzeptuellen Unstimmigkeit
- 3 Unterschiedliche Konzeptualisierung von zoion und zoia
- 4 Zoia/Tiere als eigenständiges Konzept
- 5 Schlussfolgerung
- Literaturverzeichnis
- Phlyax Vases, Comic Figures and the Parody of the Human Body: Some Iconographic Thoughts
- Phlyax Vases and the History of Ancient Theatre
- The Iconography of Costume and Mask
- Trendall's "Comic Figures"
- Comic Figures Wrongly Identified with Phlyakes
- Mixing Stage Characters and Comic Figures
- The Role of the Felton Painter
- Conclusion
- Bibliography
- Tierkunden im Mittelalter: Eine Skizze
- Prospekt: Tierkunde in Altamira?
- Mittelalterliche Tierkunde als christianisierende Antikenrezeption
- Aristotelische Naturkunde im Mittelalter
- Literaturverzeichnis
- Textausgaben und Übersetzungen
- Sekundärliteratur
- Epilogue
- Bibliography
- Index
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