
Static Forms
Description
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This book develops a new theory of the emergence of modernist literary forms through a series of parallel readings of Arabic and Hebrew prose. Situating literary production in projects of modernization, settler colonialism, and state building, Shir Alon traces the proliferation of what she calls "static forms." These literary forms articulate a modern present experienced as stuck, suspended, or absent, embodying the lived temporalities of Orientalist fantasies of origin, regimes of productive and reproductive labor, and the routine violence of occupation. Static Forms positions writers such as Mahmud al-Mas'adi, Sonallah Ibrahim, Elias Khoury, Adania Shibli, S. Y. Agnon, Y. H. Brenner, and Yeshayahu Koren as innovators and theorists of global modernism, writing the present as a series of suspensions of modernity's narrative of progress.
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Content
Introduction
1. Reverb: Literature's Absent Present
2. Scratch: The Present Out of Work
3. Routine: The Present of Reproductive Labor
4. Threshold: The Limit of Correspondence
5. Touch: The Present of Crisis Ordinariness
Conclusion: Civil War
Acknowledgments
Notes
Bibliography
Index
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