
Language and Music as Cognitive Systems
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Content
- Cover
- Contents
- Contributors
- Introduction
- Section 1 Structural comparisons
- 1 Introduction
- 2 Grouping in the stressing of words, in metrical verse, and in music
- 3 The Fabb-Halle approach to metrical stress theory as a window on commonalities between music and language
- 4 Metrical structure and the prosodic hierarchy
- 5 Metre is music: a reply to Fabb and Halle
- 6 Comments and a conjecture inspired by Fabb and Halle
- 7 Response to commentaries
- Section 2 Evolution
- 8 Introduction
- 9 The biology and evolution of rhythm: unravelling a paradox
- 10 Darwin's musical protolanguage: an increasingly compelling picture
- 11 The significance of stones and bones: understanding the biology and evolution of rhythm requires attention to the archaeological and fossil record
- 12 A grand gesture: vocal and corporeal control in melody, rhythm, and emotion
- 13 An ethnomusicological perspective on animal 'music' and human music: the paradox of 'the paradox of rhythm'
- 14 Reweaving the strands: welcoming diverse perspectives on the biology of music
- Section 3 Learning and processing
- 15 Introduction
- 16 Musical communication as alignment of brain states
- 17 Communicating structure, affect, and movement
- 18 Computer models of (music) cognition
- 19 Alignment in language and music
- 20 Alignment of brain states: response to commentaries
- Section 4 Neuroscience
- 21 Introduction
- 22 Language, music, and the brain: a resource-sharing framework
- 23 Response to target article 'Language, music, and the brain: a resource-sharing framework'
- 24 Advances in neuroimaging techniques: implications for the shared syntactic integration resource hypothesis
- 25 Schemas, not syntax: a reply to Patel
- 26 Advancing the comparative study of linguistic and musical syntactic processing
- 27 Music, language, and modularity in action
- 28 Human subcortical auditory function provides a new conceptual framework for considering modularity
- 29 What remains of modularity?
- 30 Language, music, and children's brains: a rhythmic timing perspective on language and music as cognitive systems
- 31 Towards the role of working memory in pitch processing in language and music
- 32 Modularity in music relative to speech: framing the debate
- Section 5 Conclusion
- 33 Music as a social and cognitive process
- Index
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