Animation in Croatia
Zagreb School and Beyond
1st Edition
Published on 19. December 2024
182 pages
978-1-040-15398-7 (ISBN)
Description
This book provides a comprehensive account of Croatian animation history, as well as an analysis of background factors such as political and social circumstances and cultural heritage that influenced the great international success of Croatian animators between the 1960s and 1980s.
The book focuses on the history of the Zagreb School of Animated Film, which produced dozens of extremely significant animated films between the 1960s and 1980s, which constituted an important epoch in the development of film animation as an artistic form. It provides a case study of three important films: Dnevnik by Nedeljko Dragic, Don Kihot by Vladimir Kristl and Koncert za masinsku pusku by Dusan Vukotic. The book also covers modern Croatian animation developed after the independence of the country.
This book will be of great interest to academics, students and professionals working and researching in the field of animation.
The book focuses on the history of the Zagreb School of Animated Film, which produced dozens of extremely significant animated films between the 1960s and 1980s, which constituted an important epoch in the development of film animation as an artistic form. It provides a case study of three important films: Dnevnik by Nedeljko Dragic, Don Kihot by Vladimir Kristl and Koncert za masinsku pusku by Dusan Vukotic. The book also covers modern Croatian animation developed after the independence of the country.
This book will be of great interest to academics, students and professionals working and researching in the field of animation.
Reviews / Votes
"Ajanovic's Animation in Croatia is not the first English-language book on the Zagreb School, but it is the most comprehensive. It is the only history of the Zagreb School that follows it to its decline. One of the book's most interesting aspects is that Ajanovic's analysis does not stop in the early 1980s. He also examines what happened afterward, up to the present day. Given that the more recent history of Croatian animation is far less studied, his book holds even greater significance."Jurica Pavicic, published in Jutarnji.
More details
Series
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Illustrations
11 Line drawings, black and white; 58 Halftones, black and white; 69 Illustrations, black and white
File size
9,88 MB
ISBN-13
978-1-040-15398-7 (9781040153987)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
approx. 07/2026
1st Edition
CRC Press
€65.00
Not yet published
Book
12/2024
1st Edition
CRC Press
€112.80
Shipment within 10-20 days
Person
Midhat Ajanovic is a writer and film scholar born in Sarajevo (Bosnia) in 1959. He studied journalism in Sarajevo and practiced film animation at the Zagreb Film Studio of Animation (Croatia). Since 1994 he has lived in Gothenburg where he obtained a degree of Doctor of Philosophy in Film Studies. He teaches storytelling, history and aesthetics of cinema animation at University West in Trollhaettan and writes regularly about film and animation.
Content
Introduction. Chapter 1- Some introductory thoughts on modernist animation. Chapter 2-Little man at the turn of the worlds. Chapter 3- Central European humour in regional animation. Chapter 4- The view from the glass dome. Chapter 5-The tradion of intermingling between comics and animation in the Zagreb School. Chapter 6- The new wave of Croatian animation.
