
Advances in Visual Semiotics
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Content
- Intro
- Preface
- Percepts and Concepts of Visual Semiosis
- Visual Semiotics, Pragmatics, and Communication
- Iconism. Groupe µ
- Visual Iconicity in Literature
- or, What is Werther?
- On Pictorality: The Impact of the Perceptual Model in the Development of Pictorial Semiotics
- The Psychosemiotics of Picture Perception
- The Construction of Pictorial Meaning
- The Perception of Motion Patterns
- Picture Perception
- Polysensoriality in Plastic Symbolic Discourses
- Visual Perceptual Organization
- The Subjective Processing of Visual Structures
- The Two Sources of Cognition
- Enunciation
- Perspective, Point of View, and Symbolism
- Subject in Structure: A Comeback?
- Synesthetic Effects
- Relations between Verbal and Visual Semiotics
- Hand and Mind
- Verbal and Visual Semantics
- Ekphrasis and the Picture Gallery
- Cognitive Linguistics and Prototypes
- Visual Semiotics, the Body, and Gestures
- The Status of Image in the Therapeutic Relation
- Gesture Universals: Material and Formal Constraints
- Visual Semiotics and Space
- Space, Form, and Substance
- Semiotics of Objects Revisited
- Et in Arcadia Ego: A Spatial and Visual Analysis of the Urban Middle Space
- Other Varieties of Visual Meaning
- Performing Arts, Visual Arts
- Toward a General Rhetoric of Visual Statements: Interaction between Plastic and Iconic Signs Groupe µ
- The Transformation of Traditional Histories of Representation: An Introduction
- New Visual Technologies/New Society
- The Future of Imaging Science
- The Iconosphere and the New Mecanographic Media
- Index
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