
Intelligent Music Production
A Theoretical Overview
CRC Press
1st Edition
Published on 25. October 2019
Book
Hardback
218 pages
978-1-138-05518-6 (ISBN)
Description
Intelligent Music Production presents the state of the art in approaches, methodologies and systems from the emerging field of automation in music mixing and mastering. This book collects the relevant works in the domain of innovation in music production, and orders them in a way that outlines the way forward: first, covering our knowledge of the music production processes; then by reviewing the methodologies in classification, data collection and perceptual evaluation; and finally by presenting recent advances on introducing intelligence in audio effects, sound engineering processes and music production interfaces.
Intelligent Music Production is a comprehensive guide, providing an introductory read for beginners, as well as a crucial reference point for experienced researchers, producers, engineers and developers.
Intelligent Music Production is a comprehensive guide, providing an introductory read for beginners, as well as a crucial reference point for experienced researchers, producers, engineers and developers.
Reviews / Votes
"Intelligent Music Production focuses on the very timely topic of automatic mixing of audio signals. With many clear figures and surprisingly few mathematical formulas, this book explains how artificial intelligence can help producers and musicians make their recordings sound great - automatically."Vesa Vaelimaeki (Professor of Audio Signal Processing), Aalto University, Acoustics Lab, Espoo, Finland
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Academic, Professional, and Professional Practice & Development
Illustrations
17 s/w Photographien bzw. Rasterbilder, 39 s/w Zeichnungen, 8 s/w Tabellen
8 Tables, black and white; 39 Line drawings, black and white; 17 Halftones, black and white
Dimensions
Height: 241 mm
Width: 196 mm
Thickness: 17 mm
Weight
614 gr
ISBN-13
978-1-138-05518-6 (9781138055186)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Brecht de Man | Ryan Stables | Joshua D. Reiss
Intelligent Music Production
E-Book
11/2019
1st Edition
Focal Press
€52.49
Available for download

Brecht de Man | Ryan Stables | Joshua D. Reiss
Intelligent Music Production
E-Book
11/2019
1st Edition
Focal Press
€52.49
Available for download

Book
10/2019
1st Edition
CRC Press
€83.20
Shipment within 10-20 days
Persons
Brecht De Man is cofounder of Semantic Audio Labs and previously worked at Queen Mary University of London and Birmingham City University. He has published, presented and patented research on analysis of music production practices, audio effect design and perception in sound engineering.
Ryan Stables is an Associate Professor of Digital Audio Processing at the Digital Media Technology Lab at Birmingham City University, and cofounder of Semantic Audio Labs.
Joshua D. Reiss is a Professor of Audio Engineering at the Centre for Digital Music at Queen Mary University of London.
Ryan Stables is an Associate Professor of Digital Audio Processing at the Digital Media Technology Lab at Birmingham City University, and cofounder of Semantic Audio Labs.
Joshua D. Reiss is a Professor of Audio Engineering at the Centre for Digital Music at Queen Mary University of London.
Author
Digital Media Technology Lab, Birmingham City University
Centre for Digital Music, Queen Mary University of London
Content
PART I What do we already know?
1 Introduction
2 Understanding audio effects
3 Understanding the mix
PART II How do we construct intelligent structures?
4 IMP construction
5 Data collection and representation
6 Perceptual evaluation in music production
PART III How do we perform Intelligent Music Production?
7 IMP systems
8 IMP processes
9 IMP interfaces
10 Future work
Appendix A Additional resources
Bibliography
Index
1 Introduction
2 Understanding audio effects
3 Understanding the mix
PART II How do we construct intelligent structures?
4 IMP construction
5 Data collection and representation
6 Perceptual evaluation in music production
PART III How do we perform Intelligent Music Production?
7 IMP systems
8 IMP processes
9 IMP interfaces
10 Future work
Appendix A Additional resources
Bibliography
Index