The Posthumous Papers of the Manuscripts Club
Published on 27. October 2022
Book
Hardback
624 pages
978-0-241-30437-2 (ISBN)
Description
The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. But we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence.
This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years. A monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America - all of them were participants in what Christopher de Hamel calls the Manuscripts Club.
This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion which crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been.
In 1850 (or thereabouts) John Ruskin bought his first manuscript 'at a bookseller's in a back alley'. This was his reaction: 'The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold - as many of them were - cannot be told.' The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style, and a lifetime's experience.
This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years. A monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America - all of them were participants in what Christopher de Hamel calls the Manuscripts Club.
This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion which crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been.
In 1850 (or thereabouts) John Ruskin bought his first manuscript 'at a bookseller's in a back alley'. This was his reaction: 'The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold - as many of them were - cannot be told.' The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style, and a lifetime's experience.
Reviews / Votes
Reading the Posthumous Papers is like taking a walk in excellent company ... an exceptional book, and itself an object worth cherishing. -- Daniel Brooks * Sunday Telegraph * This book can be enjoyed on so many levels. The illustrations are exquisite and the writing ... is intelligent, illuminating, voluptuous and mischievous. The members of the club are brought to life with sensitivity; we can't help but find their nerdiness endearing. ... The most delightful feature of this book is, however, the author. I've never encountered one so willing to bare his soul, without ever explicitly setting out to do so. He throws open the doors to his world, exposing its beguiling nature. Sit at my table, he says, feast on what I adore. "The Club is still open for membership . . . All applicants are warmly admitted."' -- Gerard DeGroot * The Times * In this stunningly beautiful book, Christopher de Hamel constructs an imaginary club of people who adore mediaeval manuscripts; bibliophiles whose obsession he shares. The 12 delightfully eccentric members span eight centuries - de Hamel imagines meeting them, sharing precious discoveries, trading gossip. The illustrations emit a light of their own, but what shines even brighter is the author's boyish enthusiasm for his subject. * Times Books of the Year * a beautifully produced and magnificently surprising journey through the history of how and why people have wanted to collect manuscripts. An impossibly recondite subject, you might think; but it turns out to have a lot to do with all sorts of things about how we make sense of our histories and cultures - and it introduces us to a gallery of unforgettable characters. -- Rowan Williams * New Statesman Books of the Year * Christopher de Hamel ... has the rare capacity to turn a scholarly specialism into a humane and humorous adventure. ... De Hamel retains an almost lyrical sense of wonder as he unclasps each groaning tome, opens its parched pages and lightly steps into the alternative world painted by its illuminators. ... he speaks of "meeting a beautiful manuscript" rather than reading it and his own book makes you feel you've spent time - a very long but absorbing time - in his convivial company. -- Peter Conrad * Guardian * Christopher de Hamel's great gift is to tell life stories without taking anything away from the manuscripts, which remain the star of the show. Thanks to the beautiful illustrations in this wonderful book, we can see for ourselves how spellbinding an encounter with them must have been. Five years ago de Hamel entranced the world with his Meeting with Remarkable Manuscripts. This time the meetings are with remarkable manuscript owners, and the result is equally precious -- Kathryn Hughes * Sunday Times * gloriously engaging and readable ... De Hamel wears his erudition lightly, and the reader is taken deeply into the worlds of individuals who lived across almost a thousand years of history -- Richard Ovenden * Financial Times * The story of the people who created, saved and collected Europe's most sumptuous manuscripts, it's beautifully illustrated, a rich feast of scarlet and gold. -- Dominic Sandbrook * Sunday Times Books of the Year * an eccentric but charming and instructive book which is oddly difficult to put down -- Jonathan Sumption * Spectator * The twelve accumulators de Hamel profiles in this delightful book have, taken together, been responsible for making and preserving some of the most beautiful and important objects to have survived the Middle Ages ... a joy, both deeply scholarly and wittily humane, the writing infused throughout with de Hamel's vast and genial expertise ... a fascinating book -- Tim Smith-Laing * Literary Review *More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Penguin Books Ltd
Target group
Professional and scholarly
College/higher education
Dimensions
Height: 241 mm
Width: 161 mm
Thickness: 57 mm
Weight
1480 gr
ISBN-13
978-0-241-30437-2 (9780241304372)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Christopher de Hamel
The Posthumous Papers of the Manuscripts Club
Book
10/2024
Penguin Books Ltd
€24.00
Available immediately
Christopher de Hamel
The Posthumous Papers of the Manuscripts Club
E-Book
10/2022
Penguin Books Ltd
€12.99
Available for download
Person
In the course of a long career at Sotheby's and at Cambridge University, Christopher de Hamel has probably seen and catalogued more medieval manuscripts than anyone alive, and his delight and enthusiasm run through all he writes. He is the author of many books, translated into numerous languages, including A History of Illuminated Manuscripts, The Book in the Cathedral, and Meetings with Remarkable Manuscripts, which won both the Duff Cooper Prize and the Wolfson History Prize. He is a Fellow of Corpus Christi College, Cambridge.