
Music Technology
Julio d'Escrivan(Author)
Cambridge University Press
Published on 24. November 2011
Book
Hardback
234 pages
978-1-107-00080-3 (ISBN)
Description
Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music.
More details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Target group
College/higher education
Professional and scholarly
Illustrations
8 Halftones, unspecified; 38 Line drawings, unspecified
Dimensions
Height: 250 mm
Width: 175 mm
Thickness: 17 mm
Weight
590 gr
ISBN-13
978-1-107-00080-3 (9781107000803)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Julio d'Escrivan
Music Technology
E-Book
03/2012
1st Edition
Cambridge University Press
€26.49
Available for download

Julio d'Escrivan
Music Technology
Book
11/2011
Cambridge University Press
€36.50
Shipment within 15-20 days

Julio d'Escrivan
Music Technology
E-Book
11/2011
Cambridge University Press
€21.99
Available for download
Person
Julio d'Escrivan is Reader in Creative Music Technology at Anglia Ruskin University, Cambridge.
Content
Preface; 1. Representing and storing sound; 2. A studio overview; 3. Synthesiser, samplers and drum machines; 4. Live music technology (the FAQs); 5. Select, remix, mashup; 6. The producer; 7. Music, sound and visual media; 8. The studio as experimental lab; 9. Controllers: new creative possibilities in performance; 10. Hacking electronics for music; Further avenues for exploration; Glossary; Bibliography; Filmography; Discography.