Poets on Poets
The Epistolary and Poetic Communication of Tsvetaeva, Pasternak, and Rilke
Published on 11. May 2023
Book
Hardback
200 pages
979-8-88719-262-8 (ISBN)
Description
This book provides a thorough examination of how both Marina Tsvetaeva and Boris Pasternak perceived Rainer Maria Rilke's poetic persona and oeuvre in similar ways, and how, in their perception of Rilke's role as that of the paradigmatic poet, they had drawn on the specifically Russian poetic paradigm, i.e., the image of Pushkin in the context of Russian literature of the Silver Age. At the same time, both poets' scrutiny of the sublime, the mundane, and the tragic side of practicing poetic craft in the Soviet Union, as in the case of Pasternak, and in exile, as in Tsvetaeva's case, generates the discourse of "empathic attunement." By applying "empathic" discourse towards Rilke, both poets' anxieties about their future, and that of Russian poetry in general, come to the fore.
More details
Language
English
Place of publication
Brighton
United States
Product notice
Laminated cover
Illustrations
Illustrations
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 15 mm
Weight
448 gr
ISBN-13
979-8-88719-262-8 (9798887192628)
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Schweitzer Classification
Persons
Olga Zaslavsky received her Ph.D. from the University of Pennsylvania. Currently a Center Associate at the Davis Center for Russian Studies and a lecturer at the University of Massachusetts Boston, Zaslavsky works on modernist mythologies of Russian and European modernism. She has taught at numerous colleges and universities across the United States, including the University of Pennsylvania, Boston University, and Brown University. She has published and given papers on a wide range of topics that includes Russian poetry, prose, theater, music, and film. Her publications have appeared in Russian Literature, Chroniques Slaves, SEEJ, and the Encyclopedia of Contemporary Russian Culture. In 2009 she contributed an article to the collection Literature in Exile of East and Central Europe, published by Peter Lang.