
Acoustics of Wind Instruments
Description
This book provides a clear and accessible explanation of acoustics, focusing on how wind instruments produce sound. It connects the physical principles of musical instruments with science and mathematics, encouraging readers to think scientifically about familiar phenomena in music. While stringed and percussion instruments allow us to see and feel vibrations, making sound production intuitive, wind instruments rely on invisible air vibrations. Understanding these requires knowledge of acoustics, which extends beyond high school physics into university-level science and engineering. However, this book aims to explain these concepts in a way that is understandable even to those without a technical background. To accommodate different levels of expertise, the book is divided into two parts. The first, Reading Part , uses only text and diagrams to explain acoustic principles, minimizing mathematical formulas. It targets a broad audience, from middle and high school brass band members to adult wind instrument players. Since basic information is easily found online, simple definitions (e.g., "pitch corresponds to frequency") are intentionally omitted to maintain focus and clarity. The second part, the Technical Part , presents the same topics in a more technical manner, incorporating mathematical formulas and scientific reasoning. Each chapter in the Technical Part corresponds directly to one in the Reading Part , allowing readers to gain a foundational understanding before delving into more complex material. This structure - combining general and technical content in one volume - is relatively rare. Readers are encouraged to explore the sections that suit their interests and needs. The goal is to show how school-level science and math are directly related to the physics of musical instruments. In particular, the book aims to inspire middle and high school readers to approach music and instruments from a scientific perspective. The hope is that readers of all backgrounds will find value in the content and, over time, feel motivated to explore the specifying Technical Part as their understanding deepens.
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Persons
After graduating from Nagoya University in 1974, Shigeru Yoshikawa got a position at the Fifth Research Center, Technical R&D Institute, Defense Ministry, Japan in 1980. He was engaged in research on sonar technology and underwater acoustics. He received a Dr. of Eng. from the Tokyo Institute of Technology in 1985. He was appointed professor of Department of Acoustic Design, Kyushu Institute of Design (currently, Kyushu University) in 1998. His education and research were focused on the acoustics of musical instruments. He was appointed fellow of the Acoustical Society of America in 1999. He retired from Kyushu University in 2015 and came to the present.
Keita Arimoto completed his Master's degree in Design at Kyushu Institute of Design in 2002, focusing on jet behaviors in organ pipes and other air-jet musical instruments. He joined the Yamaha R&D division in 2002. His research activities cover various aspects of sound and music, including musical acoustics, signal processing, and music information retrieval.
Takayasu Ebihara completed his Master's degree in Design at Kyushu University in 2012, focusing on the nonlinearity of hand-stopping techniques in the horn. He joined Yamaha Corporation the same year, working on brass instrument development. Since 2020, he has been engaged in product planning for educational instruments and so on.
Content
Introduction.- Part I Readings.- Chapter 1 Sound in the Pipe: A Base for Understanding the Physics of Wind Instruments.- Chapter 2 Dissipation: Important Physical Features That Form the Characteristics of Wind Instruments.- Chapter 3 Self-Excited Vibrations: Principles of Sound from Wind Instruments.- Chapter 4 Theory of valves: the difference between woodwinds and brasses.- Chapter 5 Air-jet Instruments.- Chapter 6 Finger holes in woodwinds.- Chapter 7 The Function of Tapered Tubes and Bells.- Part II Main Part.- Chapter 1 Basic Theories on Vibration and Sound.- Chapter 2 Dissipations of Sound Waves and Their Mechanisms.- Chapter 3 Self-Excited Vibrations.- Chapter 4 Mechanisms of Sound Production in Reed Woodwinds and Brasses.- Chapter 5 Mechanisms of Sound Production in Air-Jet Instruments .- Chapter 6 Concerning Finger Holes in Woodwinds.- Chapter 7 Concerning Webster's Horn Equation.