Panorama
Philosophies of the Visible
Published on 1. January 2003
Book
Hardback
272 pages
978-0-8264-6003-5 (ISBN)
Description
The new electronic age has seen a radical transition from book to screen, a development which has obscured the fact that it is not what we see which matters but how we see what we see. We live in a time when the visible needs to be retheorised. "Panorama" presents a broad analysis of philosophies of the visible in art and culture, particularly in painting, film, photography, and literature. The work of key philosophers - Kant, Hegel, Nietzsche, Heidegger, Levinas, Barthes, Blanchot, Foucault, Bataille, Derrida, Lyotard and Deleuze - is examined in the context of visibility, expressivity, the representational and the postmodern. The contributors are: Zsuzsa Baross, Robert Burch, Alessandro Carrera, Dana Hollander, Lynne Huffer, Volker Kaiser, Reginald Lilly, Robert S. Leventhal, Janet Lungstrum, Ladelle McWhorter, Ludwig Nagl, Anne Tomiche, James R. Watson, and Lisa Zucker.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 19 mm
Weight
550 gr
ISBN-13
978-0-8264-6003-5 (9780826460035)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
01/2003
1st Edition
The Athlone Press
€122.99
Available for download
Person
Wilhelm S. Wurzer is Professor and Chair of the Philosophy Department at Duquesne University, Pittsburgh.
Content
INTRODUCTION Between the Visible and the Expressive: And In-visible Exchange, Wilhelm S. Wurzer PART ONE: POSTMODERN VISIONS 1. Rephrasing the Visible and the Expressive: Lyotard's 'Defense of the Eye' from Figure to Inarticulare Phrase, Anne Tomiche (University of Grenoble) 2. Visibility, "Bild" and "Einbildungskraft", Derrida, Barthes, Levinas, Ludwig Nagl (University of Vienna). 3. Puncturing Genres: Barthes and Derrida on the Limits of Representation, Dana Hollander (Michigan State University) PART TWO: BEYOND REPRESENTATIONAL THINKING Introduction... While Illustrating... 4. Blanchot's Gaze and Orpheus' Singing: Seeing and Listening in Poetic Inspiration, Alessandro Carrera (University of Texas). 5. Foucault and the Disappearance of the Visible Subject, Reginald Lilly (Skidmore College). PART THREE: EXPRESSIONS AND THE LIMITS OF PHILOSOPHY Introduction... Desire, Displacement, and Laughter... 6. Frames of Visibility: Si(gh)ting the Monstrous, Robert Burch (University of Alberta). 7. Francis Bacon, Logique de la sensation: The Philosopher's Painter, Zsuzsa Baross (Trent University, Canada). 8. Bataille's Erotic Displacement of Vision: Attempts at a Feminist Reading, Ladelle McWhorter (University of Richmond). 9. Luce Irigaray's Specular Mother: Lips in the Mirror, Lynne Huffer (Rice University). PART FOUR: FILMING THE (IN)VISIBLE Introduction... In Images Ending... 10. Expressionist Towers of Babel in Weimar Film and Architecture, Janet Lungstrum (University of Colorado). 11. Rewiring the Oedipal Scene: Image and Discursivity in Wim Wender's Journey 'Until the End of the World', Volker Kaiser & Robert S. Leventhal (University of Virginia). PART FIVE: CRITIQUES OF CONTEMPORARY IMAGE CULTURE Introduction... Beyond a Paradigm... 12. Imagism and the Ends of Vision: Pound and Salomon, Lisa Zucker. 13. Mediums of Freedom in Photographic Frames: Some Exposuires of Bound Transcendence, James R. Watson (Loyola University). EPILOGUE: The Paradox of Philosophy's Gaze (before & after Sept. 11), Wilhelm S. Wurzer.