Culture on Two Wheels
The Bicycle in Literature and Film
Published on 1. July 2016
Book
Hardback
366 pages
978-0-8032-6972-9 (ISBN)
Description
Bicycles have more cultural identities than many realize, functioning not only as literal vehicles in a text but also as "vehicles" for that text's themes, ideas, and critiques. In the late nineteenth century the bicycle was seen as a way for the wealthy urban elite to reconnect with nature and for women to gain a measure of personal freedom, while during World War II it became a utilitarian tool of the French Resistance and in 1970s China stood for wealth and modernization. Lately it has functioned variously as the favored ideological steed of environmentalists, a means of community bonding and aesthetic self-expression in hip hop, and the ride of choice for bike messenger-idolizing urban hipsters. Culture on Two Wheels analyzes the shifting cultural significance of the bicycle by examining its appearances in literary, musical, and cinematic works spanning three continents and more than 125 years of history.
Bringing together essays by a variety of cyclists and scholars with myriad angles of approach, this collection highlights the bicycle's flexibility as a signifier and analyzes the appearance of bicycles in canonical and well-known texts such as Samuel Beckett's modernist novel Molloy, the Oscar-winning film Breaking Away, and various Stephen King novels and stories, as well as in lesser-known but equally significant texts, such as the celebrated Russian director Andrei Tarkovsky's film Sacrifice and Elizabeth Robins Pennell's nineteenth-century travelogue A Canterbury Pilgrimage, the latter of which traces the route of Chaucer's pilgrims via bicycle.
Listen to an interview with the author.
Bringing together essays by a variety of cyclists and scholars with myriad angles of approach, this collection highlights the bicycle's flexibility as a signifier and analyzes the appearance of bicycles in canonical and well-known texts such as Samuel Beckett's modernist novel Molloy, the Oscar-winning film Breaking Away, and various Stephen King novels and stories, as well as in lesser-known but equally significant texts, such as the celebrated Russian director Andrei Tarkovsky's film Sacrifice and Elizabeth Robins Pennell's nineteenth-century travelogue A Canterbury Pilgrimage, the latter of which traces the route of Chaucer's pilgrims via bicycle.
Listen to an interview with the author.
Reviews / Votes
"The brilliance of this book is that it makes for engrossing reading, while simultaneously inspiring the reader to get on a bicycle and simply ride. . . . [It makes] a fantastic contribution to current scholarship by engaging an actual thing in the world that has a rich history, a complex present, and maybe even-unlike most modes of human transit-a bright future."-Christopher Schaberg, associate professor of English and environmental theory at Loyola University and the author of The Textual Life of Airports: Reading the Culture of FlightMore details
Language
English
Place of publication
Lincoln
United States
Target group
College/higher education
Product notice
Cloth over boards
Illustrations
6 photographs, 4 illustrations
Dimensions
Height: 233 mm
Width: 160 mm
Thickness: 32 mm
Weight
682 gr
ISBN-13
978-0-8032-6972-9 (9780803269729)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
07/2016
1st Edition
University of Nebraska Press
€61.49
Available for download
E-Book
07/2016
1st Edition
University of Nebraska Press
€88.99
Available for download
Persons
Jeremy Withers is an assistant professor of English at Iowa State University. Daniel P. Shea is an associate professor of English at Austin Peay State University. Zack Furness is an assistant professor of communications at Pennsylvania State University, Greater Allegheny, and the author of One Less Car: Bicycling and the Politics of Automobility.
Content
List of Illustrations Foreword Zack Furness Acknowledgments Introduction: The Bicycle as Rolling Signifier Jeremy Withers and Daniel P. Shea Part 1. Bikes in Literature 1. Pilgrims on Wheels: The Pennells, F. W. Bockett, and Literary Cycle Travels Dave Buchanan 2. From Charles Pratt to Mark Twain to Frank Norris: Horse versus Bicycle, Man versus Machine Peter Kratzke 3. "The Face of the Bicyclist": Women's Cycling and the Altered Body in The Type-Writer Girl Alyssa Straight 4. Bicycles and Warfare: The Effects of Excessive Mobility in H. G. Wells's The War in the Air Jeremy Withers 5. Like a Furnace: Alfred Jarry's The Supermale, Doping, and the Limits of Positivism Corry Cropper 6. Albertine the Cyclist: A Queer Feminist Bicycle Ride through Proust'sIn Search of Lost Time Una Brogan 7. The Existential Cyclist: Bicycles and Personal Responsibility in Simone de Beauvoir's The Blood of Others Nanci J. Adler 8. Communing with Machines: The Bicycle as a Figure of Symbolic Transgression in the Posthumanist Novels of Samuel Beckett and Flann O'Brien Amanda Duncan 9. "Hi-Yo, Silver": The Bicycle in the Fiction of Stephen King Don Tresca Part 2. Bikes in Film 10. "I'll Get You, My Pretty!": Bicycle Horror and the Abject Cyclicity of History Matthew Pangborn 11. Bicycles in Truffaut's Jules and Jim: Images of Emancipation and Repression Charles L. P. Silet 12. We Hope, and We Lose Hope: The Postman's Bicycle in Andrei Tarkovsky's The Sacrifice Benjamin van Loon 13. Bicycle Borrowers after Neorealism: Global Nou-velo Cinema Anne Ciecko 14. Breaking Away and Vital Materialism: Embodying Dreams of Social Mobility via the Bicycle Assemblage Ryan Hediger 15. Beijing Bicycle: Desire, Identity, and the Wheels Jinhua Li 16. "Swerve! I'm on My Bike": Mediated Images of Bicycling in Youth-Produced Hip-Hop Melody Lynn Hoffmann Afterword: Form and History in the Bicycle Sculptures of Ai Weiwei Daniel P. Shea Contributors Index