
Organ
Arthur Wills(Author)
Kahn & Averill (Publisher)
2nd Edition
Published on 1. January 2006
Book
Paperback/Softback
256 pages
978-1-871082-40-1 (ISBN)
Description
Starting with the earliest organ and tracing the mechanical development in parallel with the growth of its musical repertoire, Dr Wills discusses the role of the 'king of instruments' through the baroque period and the Romantic revival of the last century to the eclectic and museum organs of today. While not ignoring the fascination of the instrument as a 'wonderous machine' and the attraction of its unique aural power, the author never loses sight of the organ's major function - the making of music. He examines its use as an adjunct to church services and as a solo, accompanimental and concert instrument surveying the contemporary repertoire and the techniques demanded by twentieth century composers.
Dr Wills writes as an organist, a composer and as a tutor guiding the student towards a correct interpretation of the organ repertoire by relating stylistic developments to the instrument's concurrent technological advances. The organ student as well as the dedicated amateur, will find helpful the discussions of technical considerations closely linked to the spiritual and philosophical approaches adopted by each era and culture. The author suggests a logically graded and structured course of practical study with special attention to improvisation including an invaluable outline course in improvisational technique.
Dr Wills writes as an organist, a composer and as a tutor guiding the student towards a correct interpretation of the organ repertoire by relating stylistic developments to the instrument's concurrent technological advances. The organ student as well as the dedicated amateur, will find helpful the discussions of technical considerations closely linked to the spiritual and philosophical approaches adopted by each era and culture. The author suggests a logically graded and structured course of practical study with special attention to improvisation including an invaluable outline course in improvisational technique.
Reviews / Votes
Dr Wills deals with a wide range of topics, including contemporary repertoire and the future of the organ, in a concise and easy-to-read fashion ... [he] takes on controversial topics (such as the value of eclecticism in organ building) making this book an interesting and valuable read. - James Mitchell, The Pipe Organ: A Composer's GuideMore details
Series
Edition
2nd Revised edition
Language
English
Place of publication
London
United Kingdom
Target group
College/higher education
Professional and scholarly
Edition type
Revised edition
Product notice
Paperback (UK-trade)
Illustrations
illustrations
Dimensions
Height: 216 mm
Width: 135 mm
Thickness: 17 mm
Weight
380 gr
ISBN-13
978-1-871082-40-1 (9781871082401)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Dr Arthur Wills OBE was Director of Music at Ely Cathedral from 1958 to 1990 and held a Professorship at the Royal Academy of Music from 1964 to 1992. He has toured worldwide as a recitalist and has broadcast, appeared on television and made many recordings both as a soloist and with the Ely Choir. His secular music includes five song cycles and an opera, 1984, based on the Orwell novel. He has composed prolifically for the organ and his ensemble works include a concerto for strings and timpani, a concerto for guitar and organ and the symphonic suite, The Fenlands, for brass band and organ.
Content
Preface by Yehudi Menuhin
Foreword by Stephen Cleobury
Introduction
Part One - Introducing the Organ
1. Wonderous Machines
2. Organ Actions and Organ Touch
Part Two - The History: The Instrument and its Music
3. 'In the Beginning ...'
4. The Middle Ages
5. The Renaissance
6. The Golden Age: The Seventeenth Century
7. The Baroque I
8. The Baroque II
9. English Organ Music 1700-1800
10. Interlude: The Classical Decline 1750-1850
11. The Romantic Revival: Germany
12. The Romantic Revival: France
13. The Romantic Revival: England and America
14. The Twentieth Century: The Classical Revival
Part Three - Playing the Organ Today: Instruments and Repertoire
15. The Eclectic Organ
16. The Museum Organ?
17. Modern Organ Music: The Present and the Future
18. The Organ with Other Instruments
19. Organ Transcriptions
20. Organ Accompaniment
Part Four - Acquiring the Skills
21. An Outline Course of Instruction
22. Organ Improvisation I
23. Organ Improvisation II
Postscript: Deus ex Machina
Glossary
Music: Recommended Editions
Recommended Recordings
Bibliography
Index
Foreword by Stephen Cleobury
Introduction
Part One - Introducing the Organ
1. Wonderous Machines
2. Organ Actions and Organ Touch
Part Two - The History: The Instrument and its Music
3. 'In the Beginning ...'
4. The Middle Ages
5. The Renaissance
6. The Golden Age: The Seventeenth Century
7. The Baroque I
8. The Baroque II
9. English Organ Music 1700-1800
10. Interlude: The Classical Decline 1750-1850
11. The Romantic Revival: Germany
12. The Romantic Revival: France
13. The Romantic Revival: England and America
14. The Twentieth Century: The Classical Revival
Part Three - Playing the Organ Today: Instruments and Repertoire
15. The Eclectic Organ
16. The Museum Organ?
17. Modern Organ Music: The Present and the Future
18. The Organ with Other Instruments
19. Organ Transcriptions
20. Organ Accompaniment
Part Four - Acquiring the Skills
21. An Outline Course of Instruction
22. Organ Improvisation I
23. Organ Improvisation II
Postscript: Deus ex Machina
Glossary
Music: Recommended Editions
Recommended Recordings
Bibliography
Index