
Theme Park Fandom
Spatial Transmedia, Materiality and Participatory Cultures
Rebecca Williams(Author)
Routledge (Publisher)
1st Edition
Will be published approx. on 1. December 2025
Book
Paperback/Softback
260 pages
978-1-041-18947-3 (ISBN)
Description
Theme Park Fandom argues that serious study of theme parks and their adult fans has much to tell us about contemporary transmediality and convergence, themed and immersive spaces, and audience relationships with places of meaning. Considering the duopoly of Disney and Universal in Orlando, the book explores a range of theme park experiences including planning trips, meeting characters, eating and drinking, engaging in practices such as cosplay and re-enactment, and memorializing lost attractions. Highlighting key themes such as immersion, materiality, cultural distinctions, and self-identity, the book argues that theme parks are a crucial site for the exploration of transmediality and the development of paratexts. Proposing the key concepts of spatial transmedia and haptic fandom, the book offers analysis of the intersections between fandom, media texts, and merchandise, as well as fans' own affective and physical responses to visiting the parks.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Academic
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 14 mm
Weight
401 gr
ISBN-13
978-1-041-18947-3 (9781041189473)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
10/2025
Routledge
€60.49
Available for download

E-Book
10/2025
Routledge
€60.49
Available for download

Book
02/2020
Amsterdam University Press
€166.00
Shipment within 10-20 days
Person
Rebecca Williams is Senior Lecturer in Communication, Culture and Media Studies at the University of South Wales. She is the author of Post-Object Fandom (Bloomsbury, 2015) and editor of Torchwood Declassified (I.B. Tauris, 2013) and Everybody Hurts (University of Iowa Press, 2018). Her work has been published in journals such as Celebrity Studies, European Journal of Cultural Studies, Continuum, Participations, Popular Communication, and Cinema Journal.
Content
Acknowledgements, 1. Introduction, 2.Understanding the Contemporary Theme Park: Theming, Immersion & Fandom, 3. Fandom, Brandom & Plandom: Haptic Fandom, Anticipatory Labour & Digital Knowledge, 4. Extending the Haunted Mansion: Spatial Poaching, Participatory Narratives & Retrospective Transmedia, 5. Of Mice and Minions: Hierarchy, 'Ani-embodiment' & 'Metonymic Celebrity' in the Theme Park Character Encounter, 6. Turkey Legs, Dole Whip and Duff: Consumables, Diegetic Paratexts, & 'Cult-Culinary' Objects, 7. Embodied Transmedia & Paratextual-Spatio Play: Consuming, Collecting & Costuming Theme Park Merchandise, 8. Replacing & Remembering Rides: Ontological Security, Authenticity & Online Memorialisation, 9. Conclusion: Ways Forward for Theme Park & Fan Studies, Index