
Master Drawings
Michelangelo to Moore
Ashmolean Museum (Publisher)
Published on 29. May 2013
Book
Paperback/Softback
160 pages
978-1-85444-278-9 (ISBN)
Description
The collection of drawings in the Ashmolean is one of the greatest treasures of the University of Oxford. It began spectacularly in 1843 when a group of drawings by Raphael and Michelangelo that had previously belonged to the portrait painter, Sir Thomas Lawrence, was bought by subscription. Lawrence's collection was one of the greatest collections of Old Master drawings ever assembled and its dispersal was much regretted. The Raphaels and Michelangelos, however, were the jewels in its crown. Following their arrival in Oxford, their fame attracted a number of gifts and bequests of drawings and watercolours by Duerer, Claude Lorraine, Brueghel, J. M. W Turner, Henry Moore and many others.
This is a story not only of Old Masters but of benefactors - Francis Douce, Chambers Hall, John Ruskin and their successors - whose different tastes account for the variety of the drawings in the modern Print Room. It is a story also of the curators who bought them. In particular, it is the story of Sir Karl Parker who arrived at the museum in 1934 and left a collection when he retired in 1962 that comprehensively covered the history of the art of drawing in Europe from its origins to the present day. The exhibition, Master Drawings: Michelangelo to Moore, celebrates this history. It includes many of the finest drawings in Oxford, representing the work of many different artists: Raphael and Michelangelo; Duerer and the artists of the Northern Renaissance; Guercino and Rubens; Boucher and Tiepolo; German Romantics; J. M. W. Turner; Degas and Pissarro; the artists of the Ballets Russes; British twentieth-century artists from Gwen John to Hockney; and much else.
This is a story not only of Old Masters but of benefactors - Francis Douce, Chambers Hall, John Ruskin and their successors - whose different tastes account for the variety of the drawings in the modern Print Room. It is a story also of the curators who bought them. In particular, it is the story of Sir Karl Parker who arrived at the museum in 1934 and left a collection when he retired in 1962 that comprehensively covered the history of the art of drawing in Europe from its origins to the present day. The exhibition, Master Drawings: Michelangelo to Moore, celebrates this history. It includes many of the finest drawings in Oxford, representing the work of many different artists: Raphael and Michelangelo; Duerer and the artists of the Northern Renaissance; Guercino and Rubens; Boucher and Tiepolo; German Romantics; J. M. W. Turner; Degas and Pissarro; the artists of the Ballets Russes; British twentieth-century artists from Gwen John to Hockney; and much else.
More details
Language
English
Place of publication
Oxford
United Kingdom
Product notice
Paperback (trade)
Illustrations
100 Illustrations, color
Dimensions
Height: 279 mm
Width: 219 mm
Thickness: 9 mm
Weight
907 gr
ISBN-13
978-1-85444-278-9 (9781854442789)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Jon Whiteley is a Senior Assistant Keeper in the Department of Western Art, specialising in paintings, drawings and musical instruments. Catherine Whistler is a Senior Assistant Keeper in the Department of Western Art, specialising in Italian and Spanish paintings and drawings.