
The SOS Guide to Live Sound
Optimising Your Band's Live-Performance Audio
Paul White(Author)
Routledge (Publisher)
1st Edition
Published on 14. September 2017
Book
Hardback
304 pages
978-1-138-46886-3 (ISBN)
Description
If you've ever handled live sound, you know the recipe for creating quality live sound requires many steps. Your list of ingredients, shall we say, requires an understanding of sound and how it behaves, the know-how to effectively use a sound system), and the knowledge to choose and use your gear well. Add a dash of miking ability, stir in a pinch of thinking on your feet for when your system starts to hum or the vocals start to feed back, and mix.
In practice, there really is no "recipe" for creating a quality performance. Instead, musicians and engineers who effectively use sound systems have a wealth of knowledge that informs their every move before and during a live performance. You can slowly gather that knowledge over years of live performance, or you can speed up the process with The SOS Guide to Live Sound.
With these pages, you get practical advice that will allow you to accomplish your live-sound goals in every performance. Learn how to choose, set up, and use a live-performance sound system. Get the basics of live-sound mixing, save money by treating your gear well with a crash course in maintenance, and fix issues as they happen with a section on problem-solving, full of real-world situations. You'll also get information on stage-monitoring, both conventional and in-ear, along with the fundamentals of radio microphones and wireless mixing solutions. Finally, a comprehensive glossary of terminology rounds out this must-have reference.
In practice, there really is no "recipe" for creating a quality performance. Instead, musicians and engineers who effectively use sound systems have a wealth of knowledge that informs their every move before and during a live performance. You can slowly gather that knowledge over years of live performance, or you can speed up the process with The SOS Guide to Live Sound.
With these pages, you get practical advice that will allow you to accomplish your live-sound goals in every performance. Learn how to choose, set up, and use a live-performance sound system. Get the basics of live-sound mixing, save money by treating your gear well with a crash course in maintenance, and fix issues as they happen with a section on problem-solving, full of real-world situations. You'll also get information on stage-monitoring, both conventional and in-ear, along with the fundamentals of radio microphones and wireless mixing solutions. Finally, a comprehensive glossary of terminology rounds out this must-have reference.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Professional Practice & Development
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 198 mm
Width: 243 mm
Thickness: 24 mm
Weight
720 gr
ISBN-13
978-1-138-46886-3 (9781138468863)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Book
06/2014
1st Edition
Routledge
€56.00
Shipment within 15-20 days

E-Book
04/2014
1st Edition
Routledge
€59.49
Available for download

E-Book
04/2014
1st Edition
Routledge
€59.49
Available for download
Person
Paul White is Editor-In-Chief of Sound On Sound. Trained in electronics, he has been recording music since the 1970s. He also performs and mixes live gigs, and is the author of a number of music recording textbooks.
Content
Preface
Chapter 1 - Drivers and Loudspeakers
Chapter 2 - Practical PA Systems
Chapter 3 - Live-sound Monitoring Options
Chapter 4 - Audio Mixers
Chapter 5 - Microphones
Chapter 6 - DI Boxes
Chapter 7 - Other PA Components
Chapter 8 - Equalisers And Effects
Chapter 9 - Managing The Backline
Chapter 10 - Radio Microphones And Guitar Systems
Chapter 11 - Microphone Choice And Placement
Chapter 12 - The Role Of The Mix Engineer
Chapter 13 - The Technical Stuff
Glossary
Chapter 1 - Drivers and Loudspeakers
Chapter 2 - Practical PA Systems
Chapter 3 - Live-sound Monitoring Options
Chapter 4 - Audio Mixers
Chapter 5 - Microphones
Chapter 6 - DI Boxes
Chapter 7 - Other PA Components
Chapter 8 - Equalisers And Effects
Chapter 9 - Managing The Backline
Chapter 10 - Radio Microphones And Guitar Systems
Chapter 11 - Microphone Choice And Placement
Chapter 12 - The Role Of The Mix Engineer
Chapter 13 - The Technical Stuff
Glossary