Digital Echoes
Spaces for Intangible and Performance-based Cultural Heritage
Published on 25. May 2018
Book
Hardback
XVIII, 342 pages
978-3-319-73816-1 (ISBN)
Description
This book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from different geographical and cultural settings, from Europe to Asia and the Americas. Together, the collection reflects on the implications that digital interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers.
Reviews / Votes
"This perceptively curated volume offers a range of philosophical and creative perspectives on intersections between performance-based cultural heritage and digital media. Spanning Europe, Asia and the Americas, and exploring contexts across music, dance, theatre, story-telling and martial arts, the book reflects a rich diversity of approaches and highlights some important overarching implications." (Professor Sita Popat, Chair in Performance and Technology, University of Leeds, UK)"This is a most timely volume for researchers and practitioners in the field of performing arts and their digital preservation. Attempting to capture and document intangible forms of cultural heritage is undoubtedly a complex task, but the authors of these cross-discipline chapters have managed to render into words the resonant echoes of extremely fragile "dance stories" which could have, otherwise, been lost in their own times and spaces." (Professor Carla Fernandes, FCSH, Universidade NOVA de Lisboa, Portugal)
More details
Edition
2018 ed.
Language
English
Place of publication
Cham
Switzerland
Publishing group
Springer International Publishing
Target group
Professional and scholarly
Illustrations
43 s/w Abbildungen
XVIII, 342 p. 43 illus.
Dimensions
Height: 216 mm
Width: 153 mm
Thickness: 24 mm
Weight
578 gr
ISBN-13
978-3-319-73816-1 (9783319738161)
DOI
10.1007/978-3-319-73817-8
Schweitzer Classification
Other editions
Additional editions
Sarah Whatley | Rosamaria K. Cisneros | Amalia Sabiescu
Digital Echoes
Spaces for Intangible and Performance-based Cultural Heritage
Book
02/2019
Palgrave Macmillan
€139.09
Shipment within 7-9 days
Sarah Whatley | Rosamaria K. Cisneros | Amalia Sabiescu
Digital Echoes
Spaces for Intangible and Performance-based Cultural Heritage
E-Book
05/2018
1st Edition
Palgrave Macmillan
€128.39
Available for download
Persons
Sarah Whatley
is Professor of Dance and Director of the Centre for Dance Research at Coventry University, UK.
Rosamaria K. Cisneros is Senior Research Associate at the Centre for Dance Research at Coventry University, UK, and also an independent artist, film-maker, dancer and choreographer.
Amalia Sabiescu is Communications Researcher at the Institute for Media and Creative Industries at Loughborough University London, UK.
Rosamaria K. Cisneros is Senior Research Associate at the Centre for Dance Research at Coventry University, UK, and also an independent artist, film-maker, dancer and choreographer.
Amalia Sabiescu is Communications Researcher at the Institute for Media and Creative Industries at Loughborough University London, UK.
Content
1 Introduction 1 Sarah Whatley, Rosamaria K. Cisneros, and Amalia SabiescuPart I Critical and Reflexive Engagements.-2 Considering the Relationship Between Digitally MediatedAudience Engagement and the Dance-Making Proces.-Laura Griffiths and Ben Walmsley3 Performing the Uncanny: Psychoanalysis, Aestheticsand the Digital Double Suparna Banerjee4 The Implications of Technology in Dance: A Dancer's Perspective of Moving in Media-RichEnvironments Kerry Francksen.- Part II Space, Time and Memory: Digital Interventions.-5 Bark and Butterflies: Redeeming the Past-Digital Interventions into Post-Memory Adrian Palka6 Chorotopical Art: Mediating the Atmospheres of CulturalSites to Create a New Spatial Logic Liana Psarologaki.= 7 (Ukulele) Strings of Knowledge: Tactile and Digital Interactivity with Archives and Ethnography Rachel M. Ward and Kate Hennessy.- 8 Open State: Event Spaces of Infinite Perspective Adam Benjamin and Mathew Emmet.-Part III Preserving the Intangible: New Tools andDocumentation Strategies .-9 Demystifying or Destroying? Cultural Heritage and Tradition in Playing the Tabla, and Developing the Electronic Tabla and Digital Notation System Jerri Daboo.-10 Digital Environments for Intercultural Content: A Case Study on the Asian Shakespeare Intercultural Archive Alvin Eng Hui Lim.-11 Mediating and Visualizing Paxton's Material forthe Spine Rebecca Stancliffe.-12 In/Tangible: The Duality of Video Documentationin Dance Heather Young Reed.-13 Kapturing Kung Fu: Future Proofing the Hong KongMartial Arts Living Archive Hing Chao, Matt Delbridge, Sarah Kenderdine, Lydia Nicholson, and Jeffrey Shaw.-Part IV Authorship, Ownership and Legal Aspects.-14 Presenting the Intangible: Curating the Intangible Cultural Heritagein the Museum Practice-Legal Aspects Teodora Konach15 Artworks-Spawning-Artworks: Trans-Disciplinary Approaches to Artistic Spin-Offs and Evolutionin the Dance and Digital Context Jordan Beth Vincent, Caitlin Vincent, Kim Vincs,Scott deLahunta, and John McCormick.- 16 Preservation and Paradox: Choreographic Authorshipin the Digital Sphere Hetty Blades.-17 Dance and Law: From Indifference to Rapport Charlotte Waelde Index