
Dylan Redeemed
From Highway 61 to Saved
Stephen H. Webb(Author)
Continuum International Publishing Group Ltd.
Published on 15. January 2007
Book
Paperback/Softback
208 pages
978-0-8264-1919-4 (ISBN)
Description
Bob Dylan's earth-shattering performance at Newport in 1965 changed the face of rock and roll and the face of folk music forever. Dylan broke the musical equivalent of the sound barrier. He had to teach his audience how to hear sounds that had never before been heard. Dylan did the same for religion when he converted to Christianity in late 1978. Rock and religion have become intertwined in contemporary culture. Does rock gain its power from the decline of religious authority? Is rock a neutral medium that churches can appropriate with little or no danger to spiritual truths? Do rock and religion have the same ancient roots? Or is rock essentially at odds with Christianity? No contemporary musician presents a better test case than Bob Dylan. He played a key role in the fusion of rock and religion when he converted to Christianity. Dylan was ahead of the contemporary Christian music trend. Although he helped legitimize Christian rock in the late seventies, even his early music had deeply spiritual undertones. From the beginning of his career, Dylan talked about his music in terms of a spiritual calling.
He imbued rock with something oracular and otherworldly - a supersonic rendition of the supernatural - which gave popular music enough weight to convey something of the mystery of religious ritual. Webb focuses on Dylan's religious period in this book, but convincingly shows that this religious period cannot be understood apart from a rereading of his entire career. Webb reevaluates Dylan's early career in light of Dylan's Christian period and shows that Dylan's Christian period was a natural development in his musical and spiritual journey.
He imbued rock with something oracular and otherworldly - a supersonic rendition of the supernatural - which gave popular music enough weight to convey something of the mystery of religious ritual. Webb focuses on Dylan's religious period in this book, but convincingly shows that this religious period cannot be understood apart from a rereading of his entire career. Webb reevaluates Dylan's early career in light of Dylan's Christian period and shows that Dylan's Christian period was a natural development in his musical and spiritual journey.
Reviews / Votes
"Dylan is almost universally known as this radical protest singer and poetic champion of liberal causes. Webb thinks otherwise, writing that Dylan's body of work is more reflective of Christian thought, and cites several examples in his book. Journalreview.com, December 21,2006 Review in Record Collector, May 2007 -- Jason Draper "Webb has delivered one of the brainiest, most challenging of Dylan books...a forceful, original analysis of Dylan's songbook. It could well change how you hear his great body of work..." - dylandaily.com -- Gerry Smith Title mention in the Listener, August 2007More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Dimensions
Height: 198 mm
Width: 129 mm
Thickness: 11 mm
Weight
227 gr
ISBN-13
978-0-8264-1919-4 (9780826419194)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Stephen H. Webb is Professor of Religion and Philosophy at Wabash College, Crawfordsville, Indiana. He is the author of seven books, including The Divine Voice, Good Eating, On God and Dogs and The Gifting of God.
Content
Introduction: Dylan and the History of Sound; Chapter 1: Growing Up Evangelical in a Rock and Roll World; Chapter 2: Putting Dylan in a New Political Perspective; Chatper 3: Slow Train Long Time Coming; Chapter 4: A Voice You Could Scour a Skillet With; Chapter 5: A Tale of Two Popes and the End of Rock and Roll.