
Reggae En Espanol
Diasporic Cultural Production in Panama
Sonja Stephenson Watson(Author)
University Press of Florida
Will be published approx. on 4. August 2026
Book
Hardback
176 pages
978-1-68340-657-0 (ISBN)
Description
Tracing the origins and cultural impact of an Afro-Panamanian musical genre
In Reggae en Espanol, Sonja Stephenson Watson chronicles the emergence and influence of a complex and rich musical genre that has become emblematic of Afro-Panamanian identity. Born in Panama in the late 1970s when artists of West Indian ancestry infused Jamaican reggae rhythms with Spanish lyrics and Panamanian folk music, reggae en Espanol is shown in this book to be a powerful narrative of migration, hybridity, and resistance that compels recognition of Blackness as central to Panamanian history and culture.
This is the first book to document the origin story of this genre and its diasporic linkages. Watson explores how reggae en Espanol emerged from transnational circuits, drawing influences from Africa, the Caribbean, Central America, and the United States. She illustrates how artists such as El General, Renato, Nando Boom, El Maleante, Rude Girl, and Chicho Man have used music to address issues of race, place, and identity, while inserting Black voices into national narratives that have historically excluded them. This book offers a groundbreaking perspective on how music can shape identity and connect communities across borders.
In Reggae en Espanol, Sonja Stephenson Watson chronicles the emergence and influence of a complex and rich musical genre that has become emblematic of Afro-Panamanian identity. Born in Panama in the late 1970s when artists of West Indian ancestry infused Jamaican reggae rhythms with Spanish lyrics and Panamanian folk music, reggae en Espanol is shown in this book to be a powerful narrative of migration, hybridity, and resistance that compels recognition of Blackness as central to Panamanian history and culture.
This is the first book to document the origin story of this genre and its diasporic linkages. Watson explores how reggae en Espanol emerged from transnational circuits, drawing influences from Africa, the Caribbean, Central America, and the United States. She illustrates how artists such as El General, Renato, Nando Boom, El Maleante, Rude Girl, and Chicho Man have used music to address issues of race, place, and identity, while inserting Black voices into national narratives that have historically excluded them. This book offers a groundbreaking perspective on how music can shape identity and connect communities across borders.
More details
Series
Language
English
Place of publication
Florida
United States
Target group
Professional and scholarly
College/higher education
Product notice
Paper over boards
Illustrations
1 Illustrations, black and white
Dimensions
Height: 229 mm
Width: 152 mm
ISBN-13
978-1-68340-657-0 (9781683406570)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Sonja Stephenson Watson is professor of Spanish and dean of the AddRan College of Liberal Arts at Texas Christian University. Watson is author of The Politics of Race in Panama: Afro-Hispanic and West Indian Literary Discourses of Contention and coeditor of Transatlantic, Transcultural, and Transnational Dialogues on Identity, Culture, and Migration.