
From the Stage to the Studio
How Fine Musicians Become Great Teachers
Oxford University Press Inc
1st Edition
Published on 14. June 2012
Book
Paperback/Softback
320 pages
978-0-19-974051-2 (ISBN)
Description
No matter the excellence of a musician's performance achievements, upon entering the professional world, it is unlikely that any musician will depend solely upon performance for income. Those who distinguish themselves as both skilled teachers and skilled performers will have a significant advantage. From the Stage to the Studio provides the tools and information necessary for musicians to become effective teachers in terms useful to both pedagogy teachers and applied music instructors, and young music students learning to teach while perfecting their performance skills. Premised on the integral partnership between pedagogy and performance, authors Cornelia Watkins and Laurie Scott offer in depth explorations of the essential components of instrumental performance, the nature of student-teacher interactions and the manner in which knowledge, skills and musicianship are most effectively conveyed. In so doing, they illuminate the profound resonance between music performance and education and show how musicians benefit as much from teaching as their students do from being taught. Included is a wealth of information and concrete examples on everything from setting up a studio, to writing a lesson plan, to soliciting constructive feedback from students. From the Stage to the Studio serves as an essential resource for music pedagogy teachers, college performance majors who will want or need to teach and established musicians looking to add music education to their professional repertoire.
Reviews / Votes
This book is the product of the combined wisdom of two hugely experienced, and hugely generous, pedagogues .... This is not just a great book about music education - it is a great book about music and what it can mean to people. * Phillipa Bunting, The Strad * The book is beautifully presented, both as a resource for self-study, and, via 'personal inventories' in each chapter ... studies of the self. It is also designed as a course textbook for groups of students. ... this is a book that can be recommended highly. * Jane Ginsborg, British Journal of Music Education *More details
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
College students majoring in music performance who need to learn to teach as part of their professional life, and their applied (instrumental, vocal, conducting) teachers who need to teach them. The book is also appropriate for musicians already out in the field (orchestral musicians, private teachers, freelancers, etc) who find they need a way to boost their teaching skills.
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 19 mm
Weight
550 gr
ISBN-13
978-0-19-974051-2 (9780199740512)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Cornelia Watkins | Laurie Scott
From the Stage to the Studio
How Fine Musicians Become Great Teachers
E-Book
08/2023
2nd Edition
OUP eBook
€24.99
Available for download

Cornelia Watkins | Laurie Scott
From the Stage to the Studio
How Fine Musicians Become Great Teachers
Book
06/2012
1st Edition
Oxford University Press Inc
€104.90
Shipment within 15-20 days

Cornelia Watkins | Laurie Scott
From the Stage to the Studio
How Fine Musicians Become Great Teachers
E-Book
04/2012
1st Edition
OUP eBook
€21.99
Available for download

Cornelia Watkins | Laurie Scott
From the Stage to the Studio
How Fine Musicians Become Great Teachers
E-Book
04/2012
1st Edition
OUP eBook
€27.49
Available for download
Persons
Laurie Scott is Associate Professor of Music and Human Learning at The University of Texas at Austin. Additionally, she serves as the director of The University of Texas String Project. She is a guest clinician and conductor at state and national conventions speaking on string pedagogy, public school music education, orchestral bowing techniques and character development. Her articles have appeared in The American String Teacher, The American Suzuki Journal, and The Journal of Research in Music Education.
Cornelia Watkins, teaches pedagogy at Northwestern University's Bienen School of Music. She speaks frequently at conferences across the country, and is the author of Rosindust: Teaching, Learning, and Life from a Cellist's Perspective. She served as TexASTA's studio teaching chair for seven years and also served a two-year term as chair for ASTA's Committee on Studio Instruction.
Cornelia Watkins, teaches pedagogy at Northwestern University's Bienen School of Music. She speaks frequently at conferences across the country, and is the author of Rosindust: Teaching, Learning, and Life from a Cellist's Perspective. She served as TexASTA's studio teaching chair for seven years and also served a two-year term as chair for ASTA's Committee on Studio Instruction.
Author
teaches pedagogyteaches pedagogy, Northwestern University's Bienen School of Music
Associate Professor of Music and Human LearningAssociate Professor of Music and Human Learning, University of Texas at Austin, Austin, TX
Content
Table of Contents ; Acknowledgements ; Foreword by Stephen Clapp ; Preface ; Introduction ; Part I- THE PERFORMING MUSICIAN ; Chapter 1 - Musicianship ; Chapter 2- Listening ; Chapter 3- Technique (plus charts to be inserted in text) ; Chapter 4- Practicing ; Chapter 5- Performing ; Part II- THE ART OF TEACHING ; Chapter 6- Teaching Principles ; Chapter 7- Sequencing ; Chapter 8- Fostering Student Independence ; Chapter 9- Comprehensive Teaching ; Chapter 10- Your Teaching Philosophy ; Part III THE MUSICIAN AS A TEACHING PROFESSIONAL ; Chapter 11 Establishing a Teaching Studio ; Chapter 12- Groups, Ensembles, Classrooms and Other Teaching Situations ; Chapter 13- Daily Considerations and Challenges ; Chapter 14- Continuing to Learn ; Conclusion ; Appendix to Intro 1 (How to use this book) ; Appendix to Intro 2 (Chart of Skills) ; Appendix Ch. 9.1 (Palette of Sounds) ; Appendix Ch. 9.2 (Student assessment) ; Appendix Ch. 10 ; Appendix Ch.12