
Soundtracks of Asian America
Navigating Race Through Musical Performance
Grace Wang(Author)
Duke University Press
Published on 7. January 2015
Book
Paperback/Softback
272 pages
978-0-8223-5784-1 (ISBN)
Description
In Soundtracks of Asian America, Grace Wang explores how Asian Americans use music to construct narratives of self, race, class, and belonging in national and transnational spaces. She highlights how they navigate racialization in different genres by considering the experiences of Asians and Asian Americans in Western classical music, U.S. popular music, and Mandopop (Mandarin-language popular music). Her study encompasses the perceptions and motivations of middle-class Chinese and Korean immigrant parents intensely involved in their children's classical music training, and of Asian and Asian American classical musicians whose prominence in their chosen profession is celebrated by some and undermined by others. Wang interviews young Asian American singer-songwriters who use YouTube to contest the limitations of a racialized U.S. media landscape, and she investigates the transnational modes of belonging forged by Asian American pop stars pursuing recording contracts and fame in East Asia. Foregrounding musical spaces where Asian Americans are particularly visible, Wang examines how race matters and operates in the practices and institutions of music making.
Reviews / Votes
"Soundtracks of Asian America is an extremely articulate, insightful investigation of racial imagination as it relates to Asian Americans and Asian diasporas. . . . Highly recommended. Upper-division undergraduates through faculty." - A. C. Shahriari (Choice) "[Soundtracks of Asian America] is an engaging and thought-provoking addition to cultural studies that uses music-making as a microcosm to draw out difficult racial themes." - Felicity Clark (Popular Music) "In following stereotypes across different social domains, Wang opens up some broader questions about Asian American musical geographies and practices of community formation. Future research on these issues will greatly profit from close readings of Soundtracks of Asian America." - Timothy Laurie (Journal of the International Association for the Study of Popular Music) "[Wang] is restrained in her deployment of a reflexive voice, yet her previous experiences as a U.S.-trained violinist who performed a stint with Taiwan's National Symphony Orchestra (p. 5) clearly give her rich personal insight into the subject at hand. The book will find warm welcome in a range of disciplinary settings, from Asian and Asian American studies to musicology and media studies. Incisively and engagingly written, it will also serve as an invaluable resource for students and scholars seeking insight into topics as diverse as transnational stardom, the cultural politics of online media, music pedagogy, and the anthropology of the conservatory." - Meredith Schweig (Notes)More details
Language
English
Place of publication
North Carolina
United States
Target group
Professional and scholarly
College/higher education
Product notice
Paperback (trade)
Illustrations
4 illustrations
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 15 mm
Weight
402 gr
ISBN-13
978-0-8223-5784-1 (9780822357841)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
02/2015
1st Edition
De Gruyter
€198.99
Available for download
Person
Grace Wang is Associate Professor of American Studies at the University of California, Davis.
Content
Introduction. Soundtracks of Asian America 1
1. Interlopers in the Realm of High Culture: "Music Moms" and the Performance of Asian Difference 28
2. "This Is No Monkey Show": Racializing Musical Performance 64
3. A Love Song to YouTube: Celebrity and Fandom Online 101
4. Finding Sonic Belonging Abroad: Reimagining Chinese American Subjectivities through Diaspora 143
Epilogue. Enter the "Tiger Mother" 186
Acknowledgments 193
Notes 195
Bibliography 245
Index 257
1. Interlopers in the Realm of High Culture: "Music Moms" and the Performance of Asian Difference 28
2. "This Is No Monkey Show": Racializing Musical Performance 64
3. A Love Song to YouTube: Celebrity and Fandom Online 101
4. Finding Sonic Belonging Abroad: Reimagining Chinese American Subjectivities through Diaspora 143
Epilogue. Enter the "Tiger Mother" 186
Acknowledgments 193
Notes 195
Bibliography 245
Index 257