That Was Us
Contemporary Irish Theatre and Performance
Published on 16. September 2013
Book
Paperback/Softback
248 pages
978-1-78319-035-5 (ISBN)
Description
In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.
That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.
Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.
Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.
In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.
Contents
1. The Power of the Powerless: Theatre in Turbulent Times by Fintan Walsh
ONE: Theatres of Testimony
2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton
3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor
4. You Had to be There by Louise Lowe
TWO: Auto/Biographical Performance
5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy
6. The Writing Life by Helen Meany
7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Societas Raffaello Sanzio by Dylan Tighe
THREE: Bodies Out of Bounds
8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver
9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore
10. Living Inspiration by John Scott
FOUR: Placing Performance
11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson
12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe
13. The Art of Perspective by Michael West
FIVE: Touring Performances
14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean
15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating
16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley
17. A Dance You Associate With Your Family by Gary Keegan
That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.
Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.
Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.
In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.
Contents
1. The Power of the Powerless: Theatre in Turbulent Times by Fintan Walsh
ONE: Theatres of Testimony
2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton
3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor
4. You Had to be There by Louise Lowe
TWO: Auto/Biographical Performance
5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy
6. The Writing Life by Helen Meany
7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Societas Raffaello Sanzio by Dylan Tighe
THREE: Bodies Out of Bounds
8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver
9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore
10. Living Inspiration by John Scott
FOUR: Placing Performance
11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson
12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe
13. The Art of Perspective by Michael West
FIVE: Touring Performances
14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean
15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating
16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley
17. A Dance You Associate With Your Family by Gary Keegan
Reviews / Votes
The collection aims for - and achieves - great breadth. It features seventeen chapters from scholars and practitioners on subjects ranging from socially engaged theatre such as that of ANU Productions and Brokentalkers, to children's theatre, to 'bio-plays' that have taken literary figures as their protagonists, to the touring productions of Druid Theatre Company... the collection succeeds in demonstrating "the ongoing role theatre and performance have to play in exploring questions of identity, responsibility, and civic participation". While O'Toole might lament the absence of a 'power play' in contemporary Ireland, Walsh and his contributors show that Irish theatre and performance have responded in diverse and often provocative ways to the challenges of living in contemporary Ireland. * Dr Sinead Moynihan (University of Exeter) * An intelligent, occasionally emotional dissection of what its editor Fintan Walsh pointedly describes as "theatre and performance in a time of crisis". It's a timely compendium of critical essays and recollections by those on the creative front line of a sector confronting profound economic, political and social change. It also proves to be spine-stiffening testimony to theatre's ability to engage with the here and now... highly recommended * The Stage *More details
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Dimensions
Height: 218 mm
Width: 140 mm
Thickness: 38 mm
Weight
375 gr
ISBN-13
978-1-78319-035-5 (9781783190355)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
10/2013
1st Edition
Oberon Books Ltd
€20.99
Available for download
Persons
Fintan Walsh is Lecturer in Theatre and Performance Studies at Birkbeck, University of London, where he teaches on the B.A. Theatre and Drama Studies degree and the M.A. Text and Performance (with RADA). He is author of Theatre & Therapy (Palgrave Macmillan, 2013) and Male Trouble: Masculinity and the Performance of Crisis (Palgrave Macmillan, 2010). He is editor of Queer Notions: New Plays and Performances from Ireland (Cork University Press, 2010), co-editor of Performance, Identity and the Neo-Political Subject (Routledge, 2013), Crossroads: Performance Studies and Irish Culture (Palgrave Macmillan, 2009). Fintan is a regular contributor to Irish Theatre Magazine. Willie White is Artistic Director and Chief Executive of Dublin Theatre Festival.
Content
Contents 1. The Power of the Powerless: Theatre in Turbulent Times by Fintan Walsh ONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton 3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor 4. You Had to be There by Louise Lowe TWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy 6. The Writing Life by Helen Meany 7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Societas Raffaello Sanzio by Dylan Tighe THREE: Bodies Out of Bounds 8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver 9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore 10. Living Inspiration by John Scott FOUR: Placing Performance 11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson 12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe 13. The Art of Perspective by Michael West FIVE: Touring Performances 14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean 15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating 16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley 17. A Dance You Associate With Your Family by Gary Keegan