Design Roots
Culturally Significant Designs, Products and Practices
Published on 8. February 2018
Book
Hardback
400 pages
978-1-4742-4179-3 (ISBN)
Description
Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. Many rich traditional practices associated with community, tacit knowledge and culture are being rapidly lost due to globalisation and urbanisation. Yet they have much to offer for the future in terms of sustainability, identity, wellbeing and new opportunities in design.
This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Importantly, these are not locked in time by sentimentality and nostalgia but are evolving, innovative, and adaptive to new technologies and changing circumstances.
Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value.
An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom.
This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Importantly, these are not locked in time by sentimentality and nostalgia but are evolving, innovative, and adaptive to new technologies and changing circumstances.
Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value.
An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom.
Reviews / Votes
I savoured each bite-size essay and its ideas until the elephant was consumed. I then sat back and enjoyed the satisfaction of an admirable accomplishment. I would recommend this edited volume to thinking practitioners and researchers looking for inspiration - it is full of ideas worth pursuing. It takes head on a large challenge and offers illumination along a path forward. * Design Journal * Craft has deep roots and heritage but these material skills and ways of working are just as relevant today as they were centuries ago. Critical writing on craft, such as Design Roots, is crucial to ensure it continues to evolve and thrive. * Rosy Greenlees OBE, Executive Director of the Crafts Council, UK * 5 / 5 starsEngaging, insightful read for anyone with an interest in traditional craft or sustainable design.
This book offers broad appeal to creatives and academics alike, focusing on the cultural significance of traditional craft and the potential for sustainability in a globalising world.
Preliminary chapters introduce the key concepts and theoretical foundations of the book in a highly readable style. The cultural significance of designs, products and practices is deconstructed and situated within the context of a globalising world. Despite the apparent homogenisation of culture resulting from economic drivers such as trade, technology and urbanisation, the book charts a resurgence of the traditional, the situated, the local. Crucially, tradition is recognised as perpetually transforming and further, as potentially transformative, offering implications for sustainability in the recreation of a meaningful material culture.
Drawing on research from across the world, a series of engaging case studies provide context to the discussion presented in the opening chapters. For example, the revelation of surprising myths surrounding the culturally significant |Aran jumper provide useful insight into the construction of authenticity and tradition and the study of Oltu-stone prayer bead production not only examines reasons for the loss of traditional handicrafts but also the potential for sustainability.
Further case studies focus on examples of the revitalisation of culturally significant designs, products and practices. The potential of culture as a resource and design as a tool for sustainable development is examined. Importantly, the role and responsibility of the designer in transforming tradition is deliberated.
The following series of case studies included in the book consider the broader context, examining structural factors that support revitalisation through design, detailing contemporary approaches to development.
The final section is dedicated to the future, with emphasis on the role of design and the use of contemporary strategies, in the successful revitalisation of culturally significant designs, products and practices.
Overall, this book roots well-considered theory in a wealth of relevant, contextual research, offering an engaging, insightful read to anyone with an interest in traditional craft or sustainable design. * Florence J. Logan, www.amazon.co.uk *
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
Professional and scholarly
College/higher education
Illustrations
40 bw illus
Dimensions
Height: 244 mm
Width: 169 mm
Weight
835 gr
ISBN-13
978-1-4742-4179-3 (9781474241793)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Stuart Walker | Martyn Evans | Tom Cassidy
Design Roots
Culturally Significant Designs, Products and Practices
E-Book
02/2018
1st Edition
Bloomsbury Academic
€32.99
Available for download
Stuart Walker | Martyn Evans | Tom Cassidy
Design Roots
Culturally Significant Designs, Products and Practices
E-Book
02/2018
1st Edition
Bloomsbury Academic
€32.99
Available for download
Persons
Stuart Walker is Professor of Design for Sustainability at Lancaster University, UK.
Martyn Evans is Professor of Design at Manchester Metropolitan University, UK.
Tom Cassidy is Chair of Design at the University of Leeds, UK.
Jeyon Jung is Research Associate at Lancaster University, UK.
Amy Twigger Holroyd is Senior Lecturer at Nottingham Trent University, UK.
Martyn Evans is Professor of Design at Manchester Metropolitan University, UK.
Tom Cassidy is Chair of Design at the University of Leeds, UK.
Jeyon Jung is Research Associate at Lancaster University, UK.
Amy Twigger Holroyd is Senior Lecturer at Nottingham Trent University, UK.
Content
Editorial Introduction, Stuart Walker (Lancaster University, UK)
Part I
Introduction: Culturally Significant Designs, Products and Practices, Martyn Evans (Manchester Metropolitan University, UK)
1. Creative Ecologies: Contextualising Culturally Significant Designs, Products and Practices, Jeyon Jung and Stuart Walker (Lancaster University, UK)
2. Forging New Futures: Cultural Significance, Revitalisation and Authenticity, Amy Twigger Holroyd (Nottingham Trent University, UK)
3. Culturally Significant Artefacts and Their Relationship to Tradition and Sustainability, Stuart Walker (Lancaster University, UK)
4. Making and its Cultural Ecological Foundations, Patrick Dillon (University of Exeter, UK)
Part II
Introduction: Authenticity and Tradition in Material Culture, Amy Twigger Holroyd (Nottingham Trent University, UK)
5. The Aran Jumper, Siun Carden (University of the Highlands and Islands, UK)
6. Chok Weaving and Textile Enterprises from Northern Thailand, Disaya Chudasri (Lancaster University, UK)
7. Oltu-Stone Prayer Beads: A Journey into the Art of Carving Tasbih, Hazal Guemues Ciftci (Lancaster University, UK)
8. The Mian Sara: Traditional Iranian Homes and Sustainability, Poone Yazdanpanah and Stuart Walker (Lancaster University, UK)
9. IKEA: Mass-produced National Design Identity, Sara S. Kristoffersson (Konstfack University College, Sweden)
Part III
Introduction: Revitalisation by Design, Tom Cassidy (University of Leeds, UK)
10. Culture as a Resource for a Sustainable Future in Indigenous Communities: Strengthening Atikamekw Identity and Economics through Design, Anne Marchand, Karine Awashish, Christian Coocoo, Solen Roth, Renata Marques Leitao, Cedric Sportes and Caoimhe Isha Beaule (University of Montreal, Canada)
11. Transforming Tradition in Indonesia: A Method for Maintaining Tradition in a Craft and Design Context, Adhi Nugraha (Aalto University, Finland)
12. New Translations of South Korean Patterns, Meong Jin Shin (University of Leeds, UK)
13. Revitalisation by Design, Sebastian Cox (Sebastian Cox Ltd, UK)
14. New Caribbean Design: Revitalising Place-based Products, Patty Johnson (Patty Johnson Design, Canada)
Part IV
Introduction: Enterprise, Policy and Education for Positive Development, Jeyon Jung (Lancaster University, UK)
15. Sustaining Culturally Significant Designs, Products and Practices: Lessons from the Hohokam, Jacques Giard (Arizona State University, USA)
16. Accidents, Intentions, Movements and Makers: Artisan Economy in Portland, Oregon, USA,Steven Marotta, Austin Cummins and Charles Heying (Portland State University, USA)
17. The Role of Higher Education in Sustaining Culturally Significant Crafts in Estonia, Sirpa Kokko (University of Helsinki, Finland)
18. The Challenge of Intellectual Property Rights for Culturally Significant Patterns, Products and Processes, Tom Cassidy and Tracy Diane Cassidy (University of Leeds, UK)
19. The Case of the City Different: The Intersection of the Museum, the Artist and the Marketplace, Marsha C. Bol (Carnegie Museum of Natural History, USA)
Part V
Introduction: Design Futures, Stuart Walker (Lancaster University, UK) and Martyn Evans (Manchester Metropolitan University, UK)
20. Research Approaches for Culturally Significant Design, Tom Cassidy (University of Leeds, UK)
21. Digital Transformations, Amateur Making and the Revitalisation of Traditional Textile Crafts, Amy Twigger Holroyd (Nottingham Trent University, UK)
22. Design for Social Innovators, Anna Meroni and Daniela Selloni (Politechnico di Milano, Italy)
23. Integrated Scales of Design and Production for Sustainability with a Focus on Graduate Design Work in Lighting, Cagla Dogan (Middle Eastern Technical University, Turkey)
24. Designing Authentic Brands: How Designerly Approaches can Craft Authentic Brand Identity, Emma Murphy (Glasgow School of Art, UK)
25. Strategies for Revitalisation of Culturally Significant Designs, Products and Practices, Martyn Evans (Manchester Metropolitan University, UK), Amy Twigger Holroyd (Nottingham Trent University, UK), Stuart Walker and Jeyon Jung (Lancaster University, UK) and Tom Cassidy (University of Leeds, UK)
Index
Part I
Introduction: Culturally Significant Designs, Products and Practices, Martyn Evans (Manchester Metropolitan University, UK)
1. Creative Ecologies: Contextualising Culturally Significant Designs, Products and Practices, Jeyon Jung and Stuart Walker (Lancaster University, UK)
2. Forging New Futures: Cultural Significance, Revitalisation and Authenticity, Amy Twigger Holroyd (Nottingham Trent University, UK)
3. Culturally Significant Artefacts and Their Relationship to Tradition and Sustainability, Stuart Walker (Lancaster University, UK)
4. Making and its Cultural Ecological Foundations, Patrick Dillon (University of Exeter, UK)
Part II
Introduction: Authenticity and Tradition in Material Culture, Amy Twigger Holroyd (Nottingham Trent University, UK)
5. The Aran Jumper, Siun Carden (University of the Highlands and Islands, UK)
6. Chok Weaving and Textile Enterprises from Northern Thailand, Disaya Chudasri (Lancaster University, UK)
7. Oltu-Stone Prayer Beads: A Journey into the Art of Carving Tasbih, Hazal Guemues Ciftci (Lancaster University, UK)
8. The Mian Sara: Traditional Iranian Homes and Sustainability, Poone Yazdanpanah and Stuart Walker (Lancaster University, UK)
9. IKEA: Mass-produced National Design Identity, Sara S. Kristoffersson (Konstfack University College, Sweden)
Part III
Introduction: Revitalisation by Design, Tom Cassidy (University of Leeds, UK)
10. Culture as a Resource for a Sustainable Future in Indigenous Communities: Strengthening Atikamekw Identity and Economics through Design, Anne Marchand, Karine Awashish, Christian Coocoo, Solen Roth, Renata Marques Leitao, Cedric Sportes and Caoimhe Isha Beaule (University of Montreal, Canada)
11. Transforming Tradition in Indonesia: A Method for Maintaining Tradition in a Craft and Design Context, Adhi Nugraha (Aalto University, Finland)
12. New Translations of South Korean Patterns, Meong Jin Shin (University of Leeds, UK)
13. Revitalisation by Design, Sebastian Cox (Sebastian Cox Ltd, UK)
14. New Caribbean Design: Revitalising Place-based Products, Patty Johnson (Patty Johnson Design, Canada)
Part IV
Introduction: Enterprise, Policy and Education for Positive Development, Jeyon Jung (Lancaster University, UK)
15. Sustaining Culturally Significant Designs, Products and Practices: Lessons from the Hohokam, Jacques Giard (Arizona State University, USA)
16. Accidents, Intentions, Movements and Makers: Artisan Economy in Portland, Oregon, USA,Steven Marotta, Austin Cummins and Charles Heying (Portland State University, USA)
17. The Role of Higher Education in Sustaining Culturally Significant Crafts in Estonia, Sirpa Kokko (University of Helsinki, Finland)
18. The Challenge of Intellectual Property Rights for Culturally Significant Patterns, Products and Processes, Tom Cassidy and Tracy Diane Cassidy (University of Leeds, UK)
19. The Case of the City Different: The Intersection of the Museum, the Artist and the Marketplace, Marsha C. Bol (Carnegie Museum of Natural History, USA)
Part V
Introduction: Design Futures, Stuart Walker (Lancaster University, UK) and Martyn Evans (Manchester Metropolitan University, UK)
20. Research Approaches for Culturally Significant Design, Tom Cassidy (University of Leeds, UK)
21. Digital Transformations, Amateur Making and the Revitalisation of Traditional Textile Crafts, Amy Twigger Holroyd (Nottingham Trent University, UK)
22. Design for Social Innovators, Anna Meroni and Daniela Selloni (Politechnico di Milano, Italy)
23. Integrated Scales of Design and Production for Sustainability with a Focus on Graduate Design Work in Lighting, Cagla Dogan (Middle Eastern Technical University, Turkey)
24. Designing Authentic Brands: How Designerly Approaches can Craft Authentic Brand Identity, Emma Murphy (Glasgow School of Art, UK)
25. Strategies for Revitalisation of Culturally Significant Designs, Products and Practices, Martyn Evans (Manchester Metropolitan University, UK), Amy Twigger Holroyd (Nottingham Trent University, UK), Stuart Walker and Jeyon Jung (Lancaster University, UK) and Tom Cassidy (University of Leeds, UK)
Index