
Cultural Offensive
America's Impact on British Art Since 1945
John A. Walker(Author)
Pluto Press
Published on 20. August 1998
Book
Paperback/Softback
304 pages
978-0-7453-1311-5 (ISBN)
Description
The vibrant fine arts and mass culture that the United Stated exported to Britain in the postwar period had a powerful and far-reaching impact on many British artists, art students and critics. In a fascinating social and cultural history covering the period from the 1940s to the 1990s, but with emphasis on the 1950s and 1960s, John A. Walker offers a scholarly but accessible account of America's Cold War cultural offensive and the role played by American artists living in Britain.
This is the first text to document in detail the variegated responses of British artists to postwar America and its art, criticism and mass media. Their reactions that ranged from Americanism - enthusiasm and compliance - to Anti-Americanism - criticism and resistance. Covering significant art movements such as Abstract Expressionism, the Independent Group and Pop Art, Walker synthesises information from hundreds of published sources and interviews to paint a vivid picture of a crucial period in British culture.
Many of the critics, painters and sculptors featured - Lawrence Alloway, Peter Blake, Reyner Banham, Anthony Caro, Clement Greenberg, David Hockney, Richard Hamilton, R.B. Kitaj, John Latham, Claes Oldenburg, Eduardo Paolozzi, Herbert Read, Bridget Riley, Larry Rivers - are now internationally famous. The study is brought up to date with an overview of the decline in American influence during in the 1980s and 1990s and the rise of Brit Art.
This is the first text to document in detail the variegated responses of British artists to postwar America and its art, criticism and mass media. Their reactions that ranged from Americanism - enthusiasm and compliance - to Anti-Americanism - criticism and resistance. Covering significant art movements such as Abstract Expressionism, the Independent Group and Pop Art, Walker synthesises information from hundreds of published sources and interviews to paint a vivid picture of a crucial period in British culture.
Many of the critics, painters and sculptors featured - Lawrence Alloway, Peter Blake, Reyner Banham, Anthony Caro, Clement Greenberg, David Hockney, Richard Hamilton, R.B. Kitaj, John Latham, Claes Oldenburg, Eduardo Paolozzi, Herbert Read, Bridget Riley, Larry Rivers - are now internationally famous. The study is brought up to date with an overview of the decline in American influence during in the 1980s and 1990s and the rise of Brit Art.
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Language
English
Place of publication
London
United Kingdom
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (UK-trade)
Illustrations
64 b&w photographs
Dimensions
Height: 216 mm
Width: 140 mm
Thickness: 18 mm
Weight
431 gr
ISBN-13
978-0-7453-1311-5 (9780745313115)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
08/1998
1st Edition
Pluto Press
€35.99
Available for download
Person
John A. Walker (1938-2023) wrote over 15 books on modern and contemporary art with an emphasis on mass media. He was Reader in Art and Design History at Middlesex University. He authored Art and Celebrity, Art in the Age of Mass Media, and Cultural Offensive: America's Impact on British Art Since 1945.
Content
Introduction
1. First Encounters with Post-war America and American Culture: the 1940s
2. The ICA, the IG and America during the 1950s
3. The Impact of Abstract Expressionism during the 1940s and '50s
4. Abstraction and Pop in Britain during the 1960s
5. The Lure of America: British Artists in the United States
6. Over Here: American Artists in Britain
7. Criticism and Resistance
8. The Decline of American Influence and the Rise of BritArt
Conclusion
Notes and references
Bibliography
Index
1. First Encounters with Post-war America and American Culture: the 1940s
2. The ICA, the IG and America during the 1950s
3. The Impact of Abstract Expressionism during the 1940s and '50s
4. Abstraction and Pop in Britain during the 1960s
5. The Lure of America: British Artists in the United States
6. Over Here: American Artists in Britain
7. Criticism and Resistance
8. The Decline of American Influence and the Rise of BritArt
Conclusion
Notes and references
Bibliography
Index