
Stressing the Modern
Cultural Politics in Australian Women's Poetry
Ann Vickery(Author)
Salt Publishing
Published on 1. October 2007
Book
Paperback/Softback
400 pages
978-1-876857-87-5 (ISBN)
Description
Stressing the Modern: Cultural Politics in Australian Women's Poetry is the first major study of women's poetic careers in early twentieth-century Australia. This was a particularly prolific period for women poets as a rapidly changing social climate generated new, often still ambivalent, identities around gender, race, class, and nation. Negotiating the `modern' landscape and the `modern' psyche through the complex effects of Federation, the suffrage movement, World War I, increasing industrialisation and urbanisation, and advances in technology necessitated innovations in poetic form and a rethinking of authorship. This exciting study examines the increasing visibility and popularity of women as poets, their shaping of literary tastes through editing and criticism, their cross-influence and friendships, and the resulting backlash within Australian literary circles. Furthermore, it traces how these writers mediated their experiences of travel, expatriation, and transnationalism against the desire to produce a literature of difference, that is, poetry that was regionally or culturally distinct. Using extensive archival material, Stressing the Modern offers a new understanding of the emergence of literary modernism in Australia. It demonstrates the significance of poetry as both a popular and a radical site for articulating `modern' lives and their concerns.
More details
Language
English
Place of publication
Applecross, WA
Australia
Illustrations
Not illustrated
Dimensions
Height: 228 mm
Width: 152 mm
Thickness: 30 mm
ISBN-13
978-1-876857-87-5 (9781876857875)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Ann Vickery is a Monash Fellow in the Centre for Women's Studies and Gender Research at Monash University, Australia. She is the author of Leaving Lines of Gender: A Feminist Genealogy of Language Writing (Wesleyan University Press, 2000) and has published widely in Australian and contemporary American poetries. A founding member of HOW2, a journal of innovative women's writing and scholarship, she was its editor-in-chief between 2001 and 2002.
Content
Acknowledgements
Introduction
Chapter 1. Mary Gilmore: A Feminine World Expanding Outward
Chapter 2. Marie Pitt: Cui Bono? The Poetics of Protest
Chapter 3: Mary Fullerton: Finding Form for the Woman Soul
Chapter 4: Anna Wickham: Between a Modernist Passport & House Arrest
Chapter 5: Zora Cross: Love and the Modern Girl
Chapter 6: Lesbia Harford: Writing Revolution
Chapter 7: Nettie Palmer: Another Path Taken
Introduction
Chapter 1. Mary Gilmore: A Feminine World Expanding Outward
Chapter 2. Marie Pitt: Cui Bono? The Poetics of Protest
Chapter 3: Mary Fullerton: Finding Form for the Woman Soul
Chapter 4: Anna Wickham: Between a Modernist Passport & House Arrest
Chapter 5: Zora Cross: Love and the Modern Girl
Chapter 6: Lesbia Harford: Writing Revolution
Chapter 7: Nettie Palmer: Another Path Taken