Art in Reproduction
Nineteenth-Century Prints after Lawrence Alma-Tadema, Jozef Isra?ls and Ary Scheffer
Robert Verhoogt(Author)
Amsterdam University Press
Published on 27. August 2007
Book
Hardback
720 pages
978-90-5356-913-9 (ISBN)
Description
In the nineteenth century new graphic techniques, the legal development of copyright, and the rise of art publishing resulted in wide availability of printed reproductions. This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work. In addition to careful attention to the quality of their printed proofs, they shared an interest in copyright procedures and a keen interest in profit - writing the next chapter in this changing artistic culture of replication, authenticity, and commodity.
More details
Language
English
Place of publication
Netherlands
Target group
Professional and scholarly
College/higher education
Illustrations
24 colour 97 black and white illustrations
Dimensions
Height: 225 mm
Width: 173 mm
Weight
1589 gr
ISBN-13
978-90-5356-913-9 (9789053569139)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Person
Robert Verhoogt is senior policy advisor at the Department for Cultural Heritage of the Ministry of Education, Culture and Science and has published earlier on Jozef Isra?ls, Vincent van Gogh and Dutch Romantic art.
Content
Contents - 6[-]Preface - 10[-]Introduction - 14[-]Ch 1: Pinxit et Sculpsit - 32[-]Ch 2: From Engraving to Photography - 64[-]Ch 3: From Original to Reproduction - 133[-]Ch 4: For Connoisseurs and Amateurs - 214[-]Ch 5: The most Framed Artist - 284[-]Ch 6: Isra?ls and his Children's Best Clothes - 360[-]Ch 7: 'I Rather like to Combine Profit with Pleasure' - 428[-]Ch 8: From Art to Reproduction - 508[-]Summary - 526[-]Colourplates - 536[-]Notes - 570[-]Bibliography - 678[-]Nineteenth Century Periodicals - 696