
Faith Speaking Understanding
Performing the Drama of Doctrine
Kevin J. Vanhoozer(Author)
Westminster/John Knox Press,U.S.
Published on 29. September 2014
Book
Paperback/Softback
298 pages
978-0-664-23448-5 (ISBN)
Description
In this volume, highly esteemed scholar Kevin Vanhoozer introduces readers to a way of thinking about Christian theology that takes the work he began in the groundbreaking 2005 book, The Drama of Doctrine, to its next level. Vanhoozer argues that theology is not merely a set of cognitive beliefs, but is also something we do that involves speech and action alike. He uses a theatrical model to explain the ways in which doctrine shapes Christian understanding and forms disciples. The church, Vanhoozer posits, is the preeminent theater where the gospel is "performed," with doctrine directing this performance. Doctrines are not simply truths to be stored, shelved, and stacked, but indications and directions to be followed, practiced, and enacted. In "performing" doctrine, Christians are shaped into active disciples of Jesus Christ. He goes on to examine the state of the church in today's world and explores how disciples can do or perform doctrine. Written in an accessible and engaging style, Faith Speaking Understanding sets forth a compelling vision of what the church is and what it should be doing, and demonstrates the importance of Christian doctrine for this mission.
Disciples who want to follow Christ in all situations need doctrinal direction as they walk onto the social stage in the great theater of the world. The Christian faith is about acknowledging, and participating in, the great thing God is doing in our world: making all things new in Christ through the Holy Spirit. Doctrine ministers understanding: of God, of the drama of redemption, of the church as a company of faithful players, and of individual actors, all of whom have important roles to play. In an age where things fall apart and centers fail to hold, doctrine centers us in Jesus Christ, in whom all things hold together.
Disciples who want to follow Christ in all situations need doctrinal direction as they walk onto the social stage in the great theater of the world. The Christian faith is about acknowledging, and participating in, the great thing God is doing in our world: making all things new in Christ through the Holy Spirit. Doctrine ministers understanding: of God, of the drama of redemption, of the church as a company of faithful players, and of individual actors, all of whom have important roles to play. In an age where things fall apart and centers fail to hold, doctrine centers us in Jesus Christ, in whom all things hold together.
Reviews / Votes
"Rooted in acute theological intelligence, pervaded by a conviction that faith and the practices of faith are inseparable, and written with verve, Faith Speaking Understanding is a work of alert and engaged Christian reflection which will attract wide consideration." --John Webster, Chair of Divinity, St. Mary's College, University of St Andrews, Scotland "This book is a model of doing theology in the service of the church. Building on his well-known construal of theology as theodrama, Vanhoozer presents the church as the theater of the gospel, a place where observers are participants and where theology and ethics, contemplation and action, surrender and obedience, and James and Paul are no longer enemies but allies. A wonderful theological essay by a brilliant evangelical thinker." -Timothy George, founding Dean, Beeson Divinity School, Samford University "This is vintage Vanhoozer--highly intelligent, wonderfully resonant, almost painfully true to the gospel and to life in the church. Vanhoozer often addresses other theologians: this time he addresses everybody who cares about following Jesus. Faith Speaking Understanding is mighty and prophetic, but, like Jesus, it is full of grace as well as truth. Brilliant work!" --Cornelius Plantinga, Jr., author of Reading for Preaching: The Preacher in Conversation with Storytellers, Biographers, Poets, and Journalists "With his extraordinarily imaginative energy, Kevin Vanhoozer's Faith Speaking Understanding builds on his equally energetic The Drama of Doctrine to help us see how doctrine, like stage direction, helps us live truthfully to the Gospel. Without fail, Vanhoozer vivifies the fundamental convictions of Christians by articulating their dramatic character. I suspect this is a book that will soon be deemed a classic." --Stanley Hauerwas, Gilbert T. Rowe Professor Emeritus of Divinity and Law, Duke Divinity SchoolMore details
Language
English
Place of publication
Louisville
United States
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 18 mm
Weight
487 gr
ISBN-13
978-0-664-23448-5 (9780664234485)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
09/2014
1st Edition
Westminster John Knox Press
from
€73.99
Available for download
Person
Kevin J. Vanhoozer is Research Professor of Biblical and Systematic Theology at Trinity Evangelical Divinity School. He has previously taught at Wheaton College and the University of Edinburgh. In addition to The Drama of Doctrine, Vanhoozer is the author or editor of several books.
Content
PART 1. BEFORE THE CURTAIN RISES: ON THEOLOGY
AND THEATER
1 Doing the Word aEURoeon Earth as It Is in HeavenaEUR?:
Introducing the Theater of the Gospel
Faith Speaking Understanding: The Challenge
The Witness as Doer of the Word: James's Mirror
and Jesus' House
aEURoeTheateraEUR? of the Gospel: Definitions and Distinctions
Theater as Handmaid to Theology: Metaphor or Model?
2 Audience Participation: Loving God, Doing Truth,
Being Church
aEURoeBreaking Down the Dividing WallaEUR?:
Between Actor and Audience
aEURoeWalking in the TruthaEUR?: Participation in Christ
aEURoeConfessing the Coming of ChristaEUR?:
A Self-Involving Demonstration
aEURoeAbiding in DoctrineaEUR?: The Audience as Staging Area
PART 2. FAITH SHOWING UNDERSTANDING: HOW DOCTRINE
MAKES DISCIPLES AND HOW DISCIPLES DO DOCTRINE
3 The Great Theater of the World: Setting
the Twenty-First-Century Stage
Stage: Church, World, and the Contemporary Crisis
of Authenticity
Lighting: aEURoeA Lamp unto My FeetaEUR?
Action: The Essence of Dramatic Theater
Recapitulation: The Canonical Imperative
4 Gospel Theater: The Triune Drama of Redemption
The Play of the Playwright aEURoefrom AboveaEUR?: A Drama
of Trinitarian Proportions
The Players: Human and Other Dramatis Personae
The Play of the Playwright aEURoefrom BelowaEUR?: A Courtroom
Drama of Kingdom and Kinship
Recapitulation: The Orthodox Imperative
5 Learning (and Becoming) the Part: aEURoeLittle ChristsaEUR?
Roles: Till We Have Faces
Costume: Putting on Christ
Prompts: Word and Spirit as Aide-MA (c)moire and Means of Grace
Recapitulation: The Pauline Imperative
6 Forming the Company, Doing Church: Doctrinal
Directions for Acting Out Life Together in Christ
Communio Sanctorum: Disciples' Gathering as
Command PerformanceaEUR"aEURoeDo ThisaEUR?
Scenes of Congregational Life
Rehearsing Communion: The Supper as Summa of the Gospel
Recapitulation: The Catholic-Evangelical Imperative
7 Staging the Play in Ten Thousand Places: How the
Company of the Gospel Enacts Parables of the Kingdom
Local Church, Local Theater: Where is aEURoein ChristaEUR??
An Interactive Theater of Resident Exiles and Holy Fools
Improvisation: Embodying the Mind of Christ Always,
Everywhere, and to Everyone
Recapitulation: The Sapiential Imperative
8 (Torn) Curtain: On Earth as He Is in Heaven
Climax: aEURoeSits at the Right Hand of God the Father AlmightyaEUR?
Conflict: Postvictory Theater of the Oppressed
Catharsis: Purification of the Heart
Recapitulation: The Doxological Imperative
Conclusion. Tell and Show: Exhibiting the Gospel
in Company with Christ
Exeunt: The Dismissal
Encore: The Gloria
Appendix. What Has Broadway to Do with Jerusalem?
The Antitheatrical Prejudice: Responding
to Historical Objections
aEURoeThe Play's Not the ThingaEUR?: Responding
to Contemporary Objections
Selected Bibliography
AND THEATER
1 Doing the Word aEURoeon Earth as It Is in HeavenaEUR?:
Introducing the Theater of the Gospel
Faith Speaking Understanding: The Challenge
The Witness as Doer of the Word: James's Mirror
and Jesus' House
aEURoeTheateraEUR? of the Gospel: Definitions and Distinctions
Theater as Handmaid to Theology: Metaphor or Model?
2 Audience Participation: Loving God, Doing Truth,
Being Church
aEURoeBreaking Down the Dividing WallaEUR?:
Between Actor and Audience
aEURoeWalking in the TruthaEUR?: Participation in Christ
aEURoeConfessing the Coming of ChristaEUR?:
A Self-Involving Demonstration
aEURoeAbiding in DoctrineaEUR?: The Audience as Staging Area
PART 2. FAITH SHOWING UNDERSTANDING: HOW DOCTRINE
MAKES DISCIPLES AND HOW DISCIPLES DO DOCTRINE
3 The Great Theater of the World: Setting
the Twenty-First-Century Stage
Stage: Church, World, and the Contemporary Crisis
of Authenticity
Lighting: aEURoeA Lamp unto My FeetaEUR?
Action: The Essence of Dramatic Theater
Recapitulation: The Canonical Imperative
4 Gospel Theater: The Triune Drama of Redemption
The Play of the Playwright aEURoefrom AboveaEUR?: A Drama
of Trinitarian Proportions
The Players: Human and Other Dramatis Personae
The Play of the Playwright aEURoefrom BelowaEUR?: A Courtroom
Drama of Kingdom and Kinship
Recapitulation: The Orthodox Imperative
5 Learning (and Becoming) the Part: aEURoeLittle ChristsaEUR?
Roles: Till We Have Faces
Costume: Putting on Christ
Prompts: Word and Spirit as Aide-MA (c)moire and Means of Grace
Recapitulation: The Pauline Imperative
6 Forming the Company, Doing Church: Doctrinal
Directions for Acting Out Life Together in Christ
Communio Sanctorum: Disciples' Gathering as
Command PerformanceaEUR"aEURoeDo ThisaEUR?
Scenes of Congregational Life
Rehearsing Communion: The Supper as Summa of the Gospel
Recapitulation: The Catholic-Evangelical Imperative
7 Staging the Play in Ten Thousand Places: How the
Company of the Gospel Enacts Parables of the Kingdom
Local Church, Local Theater: Where is aEURoein ChristaEUR??
An Interactive Theater of Resident Exiles and Holy Fools
Improvisation: Embodying the Mind of Christ Always,
Everywhere, and to Everyone
Recapitulation: The Sapiential Imperative
8 (Torn) Curtain: On Earth as He Is in Heaven
Climax: aEURoeSits at the Right Hand of God the Father AlmightyaEUR?
Conflict: Postvictory Theater of the Oppressed
Catharsis: Purification of the Heart
Recapitulation: The Doxological Imperative
Conclusion. Tell and Show: Exhibiting the Gospel
in Company with Christ
Exeunt: The Dismissal
Encore: The Gloria
Appendix. What Has Broadway to Do with Jerusalem?
The Antitheatrical Prejudice: Responding
to Historical Objections
aEURoeThe Play's Not the ThingaEUR?: Responding
to Contemporary Objections
Selected Bibliography