
The Erotics of Looking
Early Modern Netherlandish Art
Wiley (Publisher)
1st Edition
Published on 28. June 2013
Book
Paperback/Softback
224 pages
978-1-118-46525-7 (ISBN)
Description
The Erotics of Looking: Early Modern Netherlandish Art presents a collection of provocative essays that explore the material qualities of early Dutch art to reveal ways new forms of visual imagery solicit a beholder's involvement.
Explores how descriptive pictures during the early modern Dutch art period operated as social things and were designed to pleasurably engage the eye and prompt discussion and debate
Shows how these works potentially raised ethical and political questions about the interconnectedness of engaging with pictures and the material world
Represents a major contribution to the field of early modern Netherlandish art and to general debates about the status and functions of descriptive art
Features essays addressing a variety of aspects of the field, from the historiography of Dutch art to closely attentive readings of particular works
Crafts an original theoretical framework by applying recent insights about the making of early modern publics and the study of material things to the analysis of Netherlandish art
Explores how descriptive pictures during the early modern Dutch art period operated as social things and were designed to pleasurably engage the eye and prompt discussion and debate
Shows how these works potentially raised ethical and political questions about the interconnectedness of engaging with pictures and the material world
Represents a major contribution to the field of early modern Netherlandish art and to general debates about the status and functions of descriptive art
Features essays addressing a variety of aspects of the field, from the historiography of Dutch art to closely attentive readings of particular works
Crafts an original theoretical framework by applying recent insights about the making of early modern publics and the study of material things to the analysis of Netherlandish art
Reviews / Votes
"I highly recommend the ground breaking and landmark book http://www.wiley.com/WileyCDA/WileyTitle/productCd-1118465253,subjectCd-AA12.html"The Erotics of Looking: Early Modern Netherlandish Art edited by Angela Vanhaelen, Ph.D., and Bronwen Wilson, Ph.D., to any students of art and art history, academics in the field, art gallery owners and managers, art collectors and dealers, and to anyone interested in the power of the senses and sensuality found in the interaction between artist and viewer. This book will transform the way the artists of the early modern Dutch period approached their vision, their works, and their engagement with the viewer of the paintings." (Blog Business World, 16 August 2013)
More details
Series
Language
English
Place of publication
Hoboken
United Kingdom
Publishing group
John Wiley and Sons Ltd
Target group
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 277 mm
Width: 211 mm
Thickness: 15 mm
Weight
780 gr
ISBN-13
978-1-118-46525-7 (9781118465257)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Angela Vanhaelen is Associate Professor and Chair of the Department of Art History and Communication Studies at McGill University. Her publications include The Wake of Iconoclasm: Painting the Church in the Dutch Republic (2012).
Bronwen Wilson is Professor and Head of World Art Studies and Museology at the University of East Anglia. Her publications include The World in Venice: Print, the City, and Early Modern Identity (2005).
Bronwen Wilson is Professor and Head of World Art Studies and Museology at the University of East Anglia. Her publications include The World in Venice: Print, the City, and Early Modern Identity (2005).
Content
6 Notes on Contributors
8 Chapter 1 The Erotics of Looking: Materiality, Solicitation and Netherlandish Visual Culture
Angela Vanhaelen and Bronwen Wilson
20 Chapter 2 Beer and Loafing in Antwerp
Bret Rothstein
42 Chapter 3 Perspectives in Flux: Viewing Dutch Pictures in Real Time
Celeste Brusati
68 Chapter 4 Entropic Segers
Christopher P. Heuer
92 Chapter 5 The Turn of the Skull: Andreas Vesalius and the Early Modern Memento Mori
Rose Marie San Juan
110 Chapter 6 Laying the Table: The Procedures of Still Life
Joanna Woodall
138 Chapter 7 Boredom's Threshold: Dutch Realism
Angela Vanhaelen
158 Chapter 8 Response: Art/Matter(s)
Larry Silver
170 Chapter 9 Response: On the Impulse of Mapping, or How a Flat Earth Theory of Dutch Maps Distorts the Thickness and Pictorial Proclivities of Early Modern Dutch Cartography (and Misses Its Picturing Impulse)
Benjamin Schmidt
184 Chapter 10 Response: Reflections on Temporality in Netherlandish Art
Lyle Massey
192 Chapter 11 Response: The Work of Realism
Bronwen Wilson
209 Index
8 Chapter 1 The Erotics of Looking: Materiality, Solicitation and Netherlandish Visual Culture
Angela Vanhaelen and Bronwen Wilson
20 Chapter 2 Beer and Loafing in Antwerp
Bret Rothstein
42 Chapter 3 Perspectives in Flux: Viewing Dutch Pictures in Real Time
Celeste Brusati
68 Chapter 4 Entropic Segers
Christopher P. Heuer
92 Chapter 5 The Turn of the Skull: Andreas Vesalius and the Early Modern Memento Mori
Rose Marie San Juan
110 Chapter 6 Laying the Table: The Procedures of Still Life
Joanna Woodall
138 Chapter 7 Boredom's Threshold: Dutch Realism
Angela Vanhaelen
158 Chapter 8 Response: Art/Matter(s)
Larry Silver
170 Chapter 9 Response: On the Impulse of Mapping, or How a Flat Earth Theory of Dutch Maps Distorts the Thickness and Pictorial Proclivities of Early Modern Dutch Cartography (and Misses Its Picturing Impulse)
Benjamin Schmidt
184 Chapter 10 Response: Reflections on Temporality in Netherlandish Art
Lyle Massey
192 Chapter 11 Response: The Work of Realism
Bronwen Wilson
209 Index