Season of the Witch: The Book of Goth
A Times Book of the Year
Published on 11. May 2023
Book
Hardback
496 pages
978-1-78870-624-7 (ISBN)
Description
A Times Book of the Year
A Mojo Book of the Year
A Louder Than War Book of the Year
A Waterstones Book of the Year
A Resident Book of the Year
'A beautifully written, meticulously researched account. 4/5.' - CLASSIC POP
1979. Months of industrial action throughout the winter have left the dead unburied and mountains of rubbish piling up in the streets.
Punk has reached its bleak climax with the fatal heroin overdose of Sid Vicious while awaiting trial for the murder of his girlfriend.
Unlikely alliances of outsiders prepare to seize power, set the political agenda and write the soundtrack for the years to come. Their figureheads are two very different kinds of dominatrices...
As Margaret Thatcher enters 10 Downing Street, a handful of bands born of punk - Siouxsie and the Banshees, Joy Division and the Cure - find a way to distil the dissonance and darkness of the shifting decade into a new form of music. Pushing at the taboos the Sex Pistols had unlocked and dancing with the fetishistic, all will become global stars of goth.
By the time Thatcher is cast out of office in 1990, the arrival of goth will have imprinted on the cultural landscape as much as the Iron Lady herself.
Forty years on, author Cathi Unsworth provides the first comprehensive overview of the music, context and lasting legacy of goth. This is the story of how goth was shaped by the politics of the era - from the miners' strikes and privatisation to the Troubles and AIDS --- as well as how its rock 'n' roll outlaw imagery and music cross-pollinated throughout Britain and internationally, speaking to a generation of alienated youths.
A fascinating social history, Season of the Witch tells the tale of an enduring counter-culture, one that steadfastly refuses to give up the ghost.
A Mojo Book of the Year
A Louder Than War Book of the Year
A Waterstones Book of the Year
A Resident Book of the Year
'A beautifully written, meticulously researched account. 4/5.' - CLASSIC POP
1979. Months of industrial action throughout the winter have left the dead unburied and mountains of rubbish piling up in the streets.
Punk has reached its bleak climax with the fatal heroin overdose of Sid Vicious while awaiting trial for the murder of his girlfriend.
Unlikely alliances of outsiders prepare to seize power, set the political agenda and write the soundtrack for the years to come. Their figureheads are two very different kinds of dominatrices...
As Margaret Thatcher enters 10 Downing Street, a handful of bands born of punk - Siouxsie and the Banshees, Joy Division and the Cure - find a way to distil the dissonance and darkness of the shifting decade into a new form of music. Pushing at the taboos the Sex Pistols had unlocked and dancing with the fetishistic, all will become global stars of goth.
By the time Thatcher is cast out of office in 1990, the arrival of goth will have imprinted on the cultural landscape as much as the Iron Lady herself.
Forty years on, author Cathi Unsworth provides the first comprehensive overview of the music, context and lasting legacy of goth. This is the story of how goth was shaped by the politics of the era - from the miners' strikes and privatisation to the Troubles and AIDS --- as well as how its rock 'n' roll outlaw imagery and music cross-pollinated throughout Britain and internationally, speaking to a generation of alienated youths.
A fascinating social history, Season of the Witch tells the tale of an enduring counter-culture, one that steadfastly refuses to give up the ghost.
Reviews / Votes
'A FREAKING MASTERPIECE!' -- Lydia Lunch 'Cathi Unsworth not only succeeds in conjuring her personal history and dark tastes into a book of immense and lucid insight, but in doing so has crafted a rich reflection on the signs and sigils of the times, taking in - as well as using - associated cultural ritual and alchemy, featuring a cast of the lost, the damned, the beautiful and the bizarre; the possessed and dispossessed. All with the best possible sense of glacial cool.' -- Richard Cabut (ne: Richard North) 'Season of the Witch is to Goth what Jon Savage's England's Dreaming was to Punk ... a magnificent, wild dissection of the music, the madness, and social dysfunction of the era that spawned it. Hail Unsworth.' -- Billy Chainsaw (former Siouxsie and The Banshees' personal assistant) 'Drawing on both her novelistic skills as well as her years as a music journalist, Unsworth's account of Goth and its origins is rich and absorbing, establishing its political and historical context (with Margaret Thatcher as the most infamous dominatrix of all). She shows that the dark matter of Goth amounts to more than mere Addams family cosplay but has deep cultural roots in literature and cinema, as well as magnificent precursors such as The Doors, Nico, Suicide, David Bowie, who helped breed giants such as Siouxsie & The Banshees, The Cure, Joy Division and Magazine.' -- David Stubbs 'CREATURES, FIENDS, FRIENDS OF THE NIGHT AND OF THE NORTH, ACCEPT NO ALTERNATIVES: THIS IS THE BOOK WE'VE BEEN WAITING FOR OUR WHOLE REAL, TRUE GOTH LIVES.' -- David Peace 'Cathi brings darkness to light.' -- Jon Savage 'An utterly compelling social history filled with passion, sex, drugs and rock 'n' roll. This is the essential account of all things Goth, the epic and intimate story of a great tribe that emerged from Thatcher's Dark Ages.' -- JAKE ARNOTT 'The First Lady of Noir seamlessly stitches politics, psychogeography and secret history into the most mesmerising musical tapestry of the Eighties, to create a Gothic masterpiece. I was spellbound.' -- Ann Scanlon 'Cathi Unsworth's Season of the Witch is a panoramic view of the musical culture of the UK in the 1980s and its search for a voice to capture - a voice sometimes captured by - a nation seized by traumas of displacement, dispossession, depression, powerlessness, and silencing. But for all the twists and turns of the music whose tales make the body of the book, what both grounds it, and opens a period of time now in the past as a gaping hole waiting as the future, is the constant underpinning of the greater Goth forces at work in the land, the true lords of mendacity, cruelty, and domination: Rupert Murdoch and Margaret Thatcher. ". . . once again able to feast on those who would destroy her," Unsworth writes - and for all the adventures of bands from Siouxie and the Banshees to Sisters of Mercy, that is the most Goth line in the book.' -- Greil Marcus 'A beautifully written, meticulously researched account. 4/5.' -- Classic PopMore details
Language
English
Place of publication
United Kingdom
Publishing group
Bonnier Books Ltd
Dimensions
Height: 242 mm
Width: 164 mm
Thickness: 42 mm
Weight
724 gr
ISBN-13
978-1-78870-624-7 (9781788706247)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Cathi Unsworth began her career on the legendary music weekly Sounds at the age of nineteen, where she topped a poll to be named the Sounds journalist readers would most like to go for a drink with. Her popularity was down to her identification with gothic music.
Cathi's previous book, Defying Gravity, the life and times of punk icon Jordan, was described by Julie Burchill as 'the only book about punk you'll ever need' and was chosen as 'Book of the Year' by Rough Trade, Uncut and the Daily Telegraph in 2019. She has also written six pop-culture-laced noir novels and her short-form work has appeared in The Guardian, the Financial Times, Bizarre, Melody Maker, Mojo and Uncut. She has appeared on TV and radio, given talks, organised walks and hosted events too numerous to mention.
Cathi's previous book, Defying Gravity, the life and times of punk icon Jordan, was described by Julie Burchill as 'the only book about punk you'll ever need' and was chosen as 'Book of the Year' by Rough Trade, Uncut and the Daily Telegraph in 2019. She has also written six pop-culture-laced noir novels and her short-form work has appeared in The Guardian, the Financial Times, Bizarre, Melody Maker, Mojo and Uncut. She has appeared on TV and radio, given talks, organised walks and hosted events too numerous to mention.