
Concealment of Politics, Politics of Concealment
The Production of "Literature" in Meiji Japan
Atsuko Ueda(Author)
Stanford University Press
Published on 30. November 2007
Book
Hardback
256 pages
978-0-8047-5778-2 (ISBN)
Description
What is "literature?" The answer to this question may seem self-evident to us now. However, the production of literature as a category was in fact a very complex historical process that engaged with varying forces of modernity. Concealment of Politics, Politics of Concealment illuminates the large picture of intellectual, political, and literary culture of 1880s Japan and offers a paradigm-shattering discussion of the creation of literature as a cultural category. Literature emerged out of ongoing negotiations with modernizing and globalizing impulses that governed Meiji Japan (1868-1912). This complex process is too often concealed by literary studies that assume that Japanese literary modernity began with Tsubouchi Shoyo's The Essence of the Novel (1885-6). This view has long confined the discussion of literature to very narrow terms. By recasting the Shoyo's work in the political and intellectual domains, Concealment of Politics, Politics of Concealment not only explores the interaction of different discourses in 1880s Japan but offers a rigorous critique of our own approaches to the history of modern Japanese literature.
Reviews / Votes
"This is an important and groundbreaking study that should be of interest not only to specialists in Japanese modern literature but to scholars of literature generally. For specialists, the historically informed rereading of The Essence of the Novel brings an important debate to an English-speaking audience. Ueda also offers a detailed and well-researched analysis of several novels that have not been translated and are rarely discussed, such as The Characters of Modern Students. For nonspecialists, this is a fascinating case study of how the novel, which in a European context was a genre-defying style, becomes a genre-defining mode of writing in Japan and how a culture that has a nearly thousand-year tradition of ctional prose narratives encountered the Western novel and created literature as an academic subject." - Deborah Shamoon (Modern Philology)More details
Edition
New edition
Language
English
Place of publication
Palo Alto
United States
Target group
College/higher education
Professional and scholarly
Edition type
New edition
Product notice
Cloth
Dimensions
Height: 239 mm
Width: 159 mm
Thickness: 27 mm
Weight
516 gr
ISBN-13
978-0-8047-5778-2 (9780804757782)
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Schweitzer Classification
Person
Atsuko Ueda is Assistant Professor at Princeton University. Her areas of specialization are modern and contemporary Japanese literature.
Content
Contents Acknowledgments xxx Notes on Japanese Names and Terms xxx 1. Introduction 1 2. The Genealogy of the Shosetsu: From Gesaku to "Shosetsu = Novel" 000 3. The Main Constituents of the Shosetsu: Shosetsu shinzui's Criticism of Bakin and "Depoliticization" 000 4. Constructing "Asia" and Imperial Longing 000 5. Tosei shosei katagi: The "Social" Shosetsu 000 6. Unraveling the Mechanism of Concealment: Historicizing Shosetsu shinzui 000 Afterword 000 Notes 000 Glossary 000 Works Cited 000 Index