
The Big Lebowski
BFI Publishing
2nd Edition
Published on 28. May 2020
Book
Paperback/Softback
128 pages
978-1-83871-960-9 (ISBN)
Description
Ethan and Joel Coen's The Big Lebowski was released in 1998 to general bafflement. A decade on, it had become a cult classic and remains so over 20 years later, inspiring a thriving circuit of 'Lebowski Fests' during which costumed devotees gather at bowling alleys and guzzle White Russians. Beyond its superabundance of deliciously quotable lines, how has the movie inspired such remarkable affection? And why does its critical stock continue to rise?
The film's unlikely anchor is Jeff Bridges' career-best performance as Jeffrey Lebowski, a fully-baked 1960s radical turned Venice Beach drop-out known to his friends as 'the Dude'. Mistaken for an identically-named grandee whose young trophy wife is in trouble, the Dude finds himself embroiled in an impossibly convoluted kidnap plot involving pornographers, nihilists and threats to his 'johnson'. Worst of all, it conflicts with his bowling commitments.
In part an irreverent pastiche of Raymond Chandler's The Big Sleep (as filmed by Howard Hawks), The Big Lebowski is also a jukebox of film history, littered with playful references to everything from Hitchcock and Altman to Busby Berkeley. This riot of addled quotations reflects the film's Los Angeles setting, a discombobulated world inhabited by flakes, phonies and poseurs with put-on identities.
Like many Coen films, the movie plays havoc with the conventions of the crime genre and the absurdities of classical American 'heroism'. But it's also that rare thing: a comedy that gets richer, funnier and more affecting with each viewing. Beneath its breakneck pacing and foul-mouthed ribaldry, the Dude's story offers disarmingly humane lessons in the value of simple things: friendship, laughter and bowling.
In their foreword to this new edition, the authors reflect on Lebowski's cult status and its contemporary resonances as a film about gentle non-conformity and friendship in an increasingly polarized world. The new edition also includes an interview with the Coens, revealing the origins of the name 'Jeffrey Lebowski'.
The film's unlikely anchor is Jeff Bridges' career-best performance as Jeffrey Lebowski, a fully-baked 1960s radical turned Venice Beach drop-out known to his friends as 'the Dude'. Mistaken for an identically-named grandee whose young trophy wife is in trouble, the Dude finds himself embroiled in an impossibly convoluted kidnap plot involving pornographers, nihilists and threats to his 'johnson'. Worst of all, it conflicts with his bowling commitments.
In part an irreverent pastiche of Raymond Chandler's The Big Sleep (as filmed by Howard Hawks), The Big Lebowski is also a jukebox of film history, littered with playful references to everything from Hitchcock and Altman to Busby Berkeley. This riot of addled quotations reflects the film's Los Angeles setting, a discombobulated world inhabited by flakes, phonies and poseurs with put-on identities.
Like many Coen films, the movie plays havoc with the conventions of the crime genre and the absurdities of classical American 'heroism'. But it's also that rare thing: a comedy that gets richer, funnier and more affecting with each viewing. Beneath its breakneck pacing and foul-mouthed ribaldry, the Dude's story offers disarmingly humane lessons in the value of simple things: friendship, laughter and bowling.
In their foreword to this new edition, the authors reflect on Lebowski's cult status and its contemporary resonances as a film about gentle non-conformity and friendship in an increasingly polarized world. The new edition also includes an interview with the Coens, revealing the origins of the name 'Jeffrey Lebowski'.
Reviews / Votes
Terrific stuff, intellectually engaging, visually appealing, and shot through with wit and insight. -- Time Out London Beautifully lucid. -- Little White Lies Compact and deliciously readable. -- Offscreen.com Is it an important book? That depends. Do you think The Big Lebowski is an important film? If the answer is an unhesitating 'yes,' run, don't walk. -- January magazineMore details
Series
Edition
2nd edition
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
Professional and scholarly
Illustrations
60 colour illus
Dimensions
Height: 187 mm
Width: 133 mm
Thickness: 8 mm
Weight
200 gr
ISBN-13
978-1-83871-960-9 (9781838719609)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

J.M. Tyree | Ben Walters
The Big Lebowski
E-Book
05/2020
1st Edition
BFI Publishing
€13.99
Available for download

J.M. Tyree | Ben Walters
The Big Lebowski
E-Book
05/2020
1st Edition
BFI Publishing
€13.99
Available for download
Persons
J.M. Tyree is non-fiction editor of New England Review and author of Vanishing Streets: Journeys in London (2016) and of the BFI Film Classic on Salesman (2012). Ben Walters is a writer, producer, programmer and critic based in London, UK.
Author
Nonfiction Editor, New England Review, USA
Writer, Critic & Programmer, London, UK
Content
Acknowledgements
Foreword to the 2020 edition
Introduction
1. The Mix-tape Movie
2. Out of the Past
3. What Makes a Man?
4. The Religion of Laughter
Notes
Credits
Bibliography
Foreword to the 2020 edition
Introduction
1. The Mix-tape Movie
2. Out of the Past
3. What Makes a Man?
4. The Religion of Laughter
Notes
Credits
Bibliography