Representations of G.F. Watts
Art Making in Victorian Culture
1st Edition
Published on 18. December 2020
Book
Hardback
216 pages
978-0-8153-9148-7 (ISBN)
Description
Originally published in 2004. Once the most popular Victorian artist, G. F. Watts was also a complex and elusive figure. Influenced by evolutionary theory, he reinterpreted the tradition of the classical body, while his philanthropic and educational interests informed projects for a more affective public art. This book is the first modern account of the full range of Watts's different artistic interests and practices. Offering fresh approaches to his historical, allegorical and mythological paintings, it also traces his increasingly radical approach to portraiture and sculpture and examines the institutional and biographical factors behind his immense public profile. Together the essays present a comprehensive analysis of Watts's work and his vital relationship to the intellectual, cultural and social forces of his time.
More details
Series
Language
English
Place of publication
New York
United States
Publishing group
Taylor & Francis Inc
Target group
College/higher education
Dimensions
Height: 245 mm
Width: 170 mm
Weight
453 gr
ISBN-13
978-0-8153-9148-7 (9780815391487)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
09/2021
1st Edition
Routledge
€37.32
Shipment within 10-20 days
E-Book
07/2019
1st Edition
Routledge
€19.49
Available for download
E-Book
07/2019
1st Edition
Routledge
€19.49
Available for download
Person
Colin Trodd
Content
Introduction: generations of Watts, Colin Trodd and Stephanie Brown; Part I Transfiguring the Wattsian Body: The pointless meaningfulness of Watts's work, Paul Barlow; Between Homer and Ovid: metamorphoses of the 'grand style' in G. F. Watts, Elizabeth Prettejohn; 'To intensify the sense of teeming life': Watts and the twilight of transcendence, Colin Trodd; Indefinite expansion: Watts and the physicality of sculpture, Stephanie Brown. Part II Determining the Wattsian Space: Watts, historical thought and the schemes of painting in the 1840s, Janet McLean; Nationalizing Watts: the Hall of Fame and the National Portrait Gallery, Lara Perry; Illuminating experience: Watts and the subject of portraiture, Colin Trodd; Watts and the National Gallery of British Art, Alison Smith; Watts, women, philanthropy and the home arts, Shelagh Wilson; Bibliography.