Migration, Dislocation and Movement on Screen
Published on 1. July 2024
Book
Hardback
208 pages
978-1-80539-594-2 (ISBN)
Description
Contemporary screen industries such as film and television have become primary sites for visualizing borders, migration, maps, and travel as processes of separation and dislocation, but also connection. Migration, Dislocation and Movement on Screen pulls case studies in film and television industries from throughout Europe, North Africa, and Asia to interrogate the nature of movement via moving images. By combining theoretical, interdisciplinary engagements with empirical research, this volume offers a new way to look at screen media's representations of our contemporary world's transnational and cosmopolitan imaginaries.
More details
Language
English
Place of publication
Oxford
United Kingdom
Target group
Professional and scholarly
Product notice
Library binding
Illustrations
Bibliography; Index
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 16 mm
Weight
462 gr
ISBN-13
978-1-80539-594-2 (9781805395942)
DOI
10.3167/9781805395942
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Ruxandra Trandafoiu is Professor of Media and Communications at Edge Hill University. She is the author of Diaspora Online: Identity Politics and Romanian Migrants (Berghahn Books, 2013) and The Politics of Migration and Diaspora in Eastern Europe: Media, Public Discourse and Policy (Routledge, 2022), as well as several edited collections and numerous articles exploring the relationship between media and migration.
Content
Acknowledgements
Introduction
Ruxandra Trandafoiu
Part I: Migration
Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni
Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich
Chapter 3. Just Like Us: Migration and the 'Prosthetic Western' in Contemporary German Cinema
Owen Evans
Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatuerk
Part II: Dislocation
Chapter 5. No Man's Land: Rafi Pitts' Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist
Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar
Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa
Chapter 8. 'I am not here to just be en vogue': Talking About the Politics of Dislocated Filmmaking, the Clarity of the 'Third Eye' and Having a Place in Your Country's Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon
Postscript
Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon
Index
Introduction
Ruxandra Trandafoiu
Part I: Migration
Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni
Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich
Chapter 3. Just Like Us: Migration and the 'Prosthetic Western' in Contemporary German Cinema
Owen Evans
Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatuerk
Part II: Dislocation
Chapter 5. No Man's Land: Rafi Pitts' Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist
Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar
Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa
Chapter 8. 'I am not here to just be en vogue': Talking About the Politics of Dislocated Filmmaking, the Clarity of the 'Third Eye' and Having a Place in Your Country's Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon
Postscript
Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon
Index