
Cine-Dispositives
Essays in Epistemology Across Media
Pallas Publications (Publisher)
Published on 8. January 2015
Book
Hardback
406 pages
978-90-8964-666-8 (ISBN)
Description
This collection brings together a number of leading scholars in film studies to explore viewing and listening dispositives - the Foucauldian concept of a strategic and technical configuration of practices and discourses - from the emergence of film studies as a field in the 1960s to more recent uses of the concept. In particular, the contributors confront points of view and perspectives in the context of the rise and spread of new technologies, changes that are continually altering the boundaries and the spaces of cinema and thus demand new analysis and theoretization.
More details
Series
Language
English
Place of publication
Amsterdam
Netherlands
Target group
Professional and scholarly
Academic
Product notice
sewn/stitched
Cloth over boards
Illustrations
Illustrations: 0 black and white; 31 full color.
Dimensions
Height: 241 mm
Width: 161 mm
Thickness: 30 mm
Weight
743 gr
ISBN-13
978-90-8964-666-8 (9789089646668)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Book
approx. 12/2025
1st Edition
Routledge
€73.31
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E-Book
10/2025
Routledge
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Available for download

E-Book
10/2025
Routledge
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E-Book
01/2015
1st Edition
Amsterdam University Press
€248.00
Available for download
Persons
Maria Tortajada is professor in the Department of History and Aesthetics of Film at Universite de Lausanne in Switzerland. Francois Albera is professor in the Department of History and Aesthetics of Film at Universite de Lausanne in Switzerland.
Content
Acknowledgments, Questioning the Word dispositif: Note on the Translation, Foreword I. Dispositives : programs Francois Albera, Maria Tortajada : The Dispositive Does Not Exist ! Thomas Elsaesser : Between Knowing and Believing: The Cinematic Dispositive after Cinema II. Dispositives : issues Patrick Desile : You do not even know where you are: Dispositive and Dizziness Maria Tortajada : The Reconstruction of a Concept: Marey and the Synthesis of Movement Elie During : Notes on the Bergsonian Cinematograph Charles Musser : The Stereopticon and Cinema: Media Form or Platform? Andre Gaudreault : On Some Limitations of the Definition of the Dispositive Cinema Omar Haschemi, The Moment of the Dispositif Philippe Ortel : The Dispositive Effect in Film Narrative III. Dispositives : histories Alain Boillat : The Social Imaginary of Telephony. Fictional Dispositives in Albert Robida's Le Vingtieme Siecle and the Archeology of Talking Cinema Laurent Guido : Between Paradoxical Spectacles and Technical Dispositives: Looking Again at the Serpentine Dances of Early Cinema Benoit Turquety : Forms of Machines, Forms of Movement Francois Albera : The Amateur-Dispositive Gilles Delavaud : Two Versions of the Television Dispositive Charlotte Bouchez : Reality Television as Dispositive: The Case of French-Speaking Switzerland Christophe Wall-Romana : Dispositive and Cinepoetry, around Foucault's Death and the Labyrinth Viva Paci : Archaeology and Spectacle: Old Dispositives and New Objects for Surprised Spectators Stopping by the Museum Authors.