
Sound Reproduction
The Acoustics and Psychoacoustics of Loudspeakers and Rooms
Floyd Toole(Author)
Focal Press
Published on 22. August 2008
Book
Paperback/Softback
570 pages
978-0-240-52009-4 (ISBN)
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Description
Floyd Toole, a leading expert in the field of sound reproduction, explains how to design the best possible listening experience for recording control rooms and home entertainment systems. This comprehensive work covers the whole sound reproduction chain from multi-channel audio configurations and the loudspeaker/room system to acoustics and psychoacoustics and the evaluation process. Part 1 shows the reader how to create the best listening experience, offering practical approaches to the sound reproduction chain. Parts 2 and 3 are an in-depth consideration of acoustics and psychoacoustics.
More details
Series
Language
English
Place of publication
Oxford
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Audio and chief engineers, acoustical engineers, acoustics consultants, audio systems designers, studio designers, loudspeaker designers, director of recording/remixing services; head of postproduction; head of recording studies (in a school); home/business sound system installation and specification, home theatre or home recording enthusiasts
Dimensions
Height: 234 mm
Width: 178 mm
Weight
1176 gr
ISBN-13
978-0-240-52009-4 (9780240520094)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
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08/2017
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Person
Floyd E. Toole studied electrical engineering at the University of New Brunswick and at the Imperial College of Science and Technology, University of London where he received a Ph.D. In 1965 he joined the National Research Council of Canada where he reached the position of Senior Research Officer in the Acoustics and Signal Processing Group. In 1991 he joined Harman International Industries Inc. as Corporate Vice President - Acoustical Engineering. In this position he worked with all Harman International companies and directed the Harman Research and Development Group, a central resource for technology development and subjective measurements, retiring in 2007. He is currently a consultant to Harman.
Dr. Toole's research has focused on the acoustics and psychoacoustics of sound reproduction in small rooms, directed to improving engineering measurements, objectives for loudspeaker design and evaluation, and techniques for reducing variability at the loudspeaker / room / listener interface. For papers on these subjects he has received two AES Publications Awards and, for service to the society, the Board of Governors Award. For his achievements he has been recognized with both the AES Silver Medal (1996) and Gold Medal (2013) Awards. He is a Fellow and Past President of the AES, a Fellow of the Acoustical Society of America and a Fellow of CEDIA (Custom Design and Installarion Association). He has been awarded Lifetime Achievement awards by CEDIA and ALMA (Association of Loudspeaker Manufacturing & Acoustics International). He has recently written a book: "Sound Reproduction: the acoustics and psychoacoustics of loudspeakers and rooms." (Focal Press, 2008).
Dr. Toole's research has focused on the acoustics and psychoacoustics of sound reproduction in small rooms, directed to improving engineering measurements, objectives for loudspeaker design and evaluation, and techniques for reducing variability at the loudspeaker / room / listener interface. For papers on these subjects he has received two AES Publications Awards and, for service to the society, the Board of Governors Award. For his achievements he has been recognized with both the AES Silver Medal (1996) and Gold Medal (2013) Awards. He is a Fellow and Past President of the AES, a Fellow of the Acoustical Society of America and a Fellow of CEDIA (Custom Design and Installarion Association). He has been awarded Lifetime Achievement awards by CEDIA and ALMA (Association of Loudspeaker Manufacturing & Acoustics International). He has recently written a book: "Sound Reproduction: the acoustics and psychoacoustics of loudspeakers and rooms." (Focal Press, 2008).
Content
Introduction
Part One: Understanding the Principles
1. Sound Reproduction
2. Preserving the Art
3. Sound in Rooms - Matters of Perspective
4. Sound Fields in Rooms
5. The Many Effects of Reflections
6. Reflections, Images, and the Precendence Effect
7. Impressions of Space
8. Imaging and Spatial Effects in Sound Reproduction
9. The Effects of Reflections on Sound Quality/Timbre
10. Reflections and Speech Intelligibility
11. Adaptation
12. Adjacent-Boundary and Loudspeaker Mounting Effects
13. Making (Bass) Waves - Below the Transition Frequency
14. Summary of Part One: Looking for a Way Forawrd
Part Two: Designing Listening Experiences
15. Multichannel Options for Music and Movies
16. Putting Theory Into Practice: Designing a Listening Experience
17. Loudspeakers I: Subjective Evaluations
18. Loudspeakers II: Objective Evaluations
19. Psychoacoustics - Explainging What We Measure and Hear
20. Closing the Loop: Predicting Listener Preferences from Measurements
21. Acoustical Materials and Devices
22. Designing Listening Experiences
References
Index
Part One: Understanding the Principles
1. Sound Reproduction
2. Preserving the Art
3. Sound in Rooms - Matters of Perspective
4. Sound Fields in Rooms
5. The Many Effects of Reflections
6. Reflections, Images, and the Precendence Effect
7. Impressions of Space
8. Imaging and Spatial Effects in Sound Reproduction
9. The Effects of Reflections on Sound Quality/Timbre
10. Reflections and Speech Intelligibility
11. Adaptation
12. Adjacent-Boundary and Loudspeaker Mounting Effects
13. Making (Bass) Waves - Below the Transition Frequency
14. Summary of Part One: Looking for a Way Forawrd
Part Two: Designing Listening Experiences
15. Multichannel Options for Music and Movies
16. Putting Theory Into Practice: Designing a Listening Experience
17. Loudspeakers I: Subjective Evaluations
18. Loudspeakers II: Objective Evaluations
19. Psychoacoustics - Explainging What We Measure and Hear
20. Closing the Loop: Predicting Listener Preferences from Measurements
21. Acoustical Materials and Devices
22. Designing Listening Experiences
References
Index