
Remaking the Voyage
New Essays on Malcolm Lowry and 'In Ballast to the White Sea'
Liverpool University Press
Published on 1. July 2020
Book
Paperback/Softback
256 pages
978-1-80034-821-9 (ISBN)
Description
An Open Access edition of this book is available on the
Liverpool University Press website and the OAPEN library.
'Who
ever thought they would one day be able to read Malcolm Lowry's fabled novel of
the 1930s and 40s, In Ballast to the
White Sea? Lord knows, I didn't' - Michael Hofmann, TLS
This book breaks new ground in studies of the British
novelist Malcolm Lowry (1909-57), as the first collection of new essays
produced in response to the publication in 2014 of a scholarly edition of
Lowry's 'lost' novel, In Ballast to the
White Sea. In their introduction, editors Helen Tookey and Bryan Biggs
show how the publication of In Ballast
sheds new light on Lowry as both a highly political writer and one deeply
influenced by his native Merseyside, as his protagonist Sigbjorn
Hansen-Tarnmoor walks the streets of Liverpool, wrestling with his own
conscience and with pressing questions of class, identity and social
reform. In the chapters that follow, renowned Lowry
scholars and newer voices explore key aspects of the novel and its relation to
the wider contexts of Lowry's work. These include his complex relation to socialism
and communism, the symbolic value of Norway, and the
significance of tropes of loss, hauntings and doublings. The book draws on the
unexpected opportunity offered by the rediscovery of In Ballast to look afresh at Lowry's oeuvre, to 'remake the voyage'.
Liverpool University Press website and the OAPEN library.
'Who
ever thought they would one day be able to read Malcolm Lowry's fabled novel of
the 1930s and 40s, In Ballast to the
White Sea? Lord knows, I didn't' - Michael Hofmann, TLS
This book breaks new ground in studies of the British
novelist Malcolm Lowry (1909-57), as the first collection of new essays
produced in response to the publication in 2014 of a scholarly edition of
Lowry's 'lost' novel, In Ballast to the
White Sea. In their introduction, editors Helen Tookey and Bryan Biggs
show how the publication of In Ballast
sheds new light on Lowry as both a highly political writer and one deeply
influenced by his native Merseyside, as his protagonist Sigbjorn
Hansen-Tarnmoor walks the streets of Liverpool, wrestling with his own
conscience and with pressing questions of class, identity and social
reform. In the chapters that follow, renowned Lowry
scholars and newer voices explore key aspects of the novel and its relation to
the wider contexts of Lowry's work. These include his complex relation to socialism
and communism, the symbolic value of Norway, and the
significance of tropes of loss, hauntings and doublings. The book draws on the
unexpected opportunity offered by the rediscovery of In Ballast to look afresh at Lowry's oeuvre, to 'remake the voyage'.
Reviews / Votes
'Remaking the Voyage makes a major contribution to Lowry studies, perhaps unsurprisingly given the strength of the academic contributors. It genuinely advances humanistic knowledge of Lowry's In Ballast, additionally offering an intriguing identity politics argument or interpretive nexus, comprising cultural and geographical location, class and political awareness/affiliation.'- Professor Richard J. Lane, Vancouver Island University
More details
Series
Language
English
Place of publication
Liverpool
United Kingdom
Target group
Professional and scholarly
Illustrations
20 Illustrations, black and white
Dimensions
Height: 234 mm
Width: 156 mm
ISBN-13
978-1-80034-821-9 (9781800348219)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Helen Tookey teaches creative writing at Liverpool John Moores University. She has published two poetry collections with Carcanet Press: Missel-Child (2014, shortlisted for the Seamus Heaney Prize 2015) and City of Departures (2019, shortlisted for the Forward Prize for Best Collection 2019). She is the author of Anais Nin, Fictionality and Femininity (Oxford University Press, 2003) and co-editor, with Bryan Biggs, of Malcolm Lowry: From the Mersey to the World (Liverpool University Press, 2009). Bryan Biggs has worked at Bluecoat, Liverpool's contemporary arts centre, for over four decades, curating numerous exhibitions, and live art programmes. In 2017 he directed Bluecoat's tercentenary year. He writes on contemporary culture and is co-editor, with Julie Sheldon of Art in a City Revisited (Liverpool University Press, 2009) and, with John Belchem, of Liverpool City of Radicals (Liverpool University Press, 2011).
Content
Introduction
Helen Tookey and Bryan Biggs
Haunted by Books: Malcolm Lowry's Ultramarine and In Ballast to the White Sea
Patrick A. McCarthy
'We've got a bastard duke on board': Class, Fantasy and Politics in Malcolm Lowry
Ben Clarke
Malcolm Lowry and the End of Communism
Mark Crawford
In Ballast to the White Sea: The Springboard for Russian Influences on Malcolm Lowry's Visionary Intellect
Nigel H. Foxcroft
In Ballast to the White Sea: A Plunge into the Matrix
Annick Droesdal-Levillain
Walking with Shadows: Index, Inscription and Event in Malcolm Lowry's In Ballast to the White Sea
Cian Quayle
'Hva vet vi?': In Ballast to the White Sea and the Weighting of Evidence
Chris Ackerley
Identity and Doubles: Being and Writing in Malcolm Lowry's In Ballast to the White Sea
Pierre Schaeffer
The Lost Other: Malcolm Lowry's Creative Process
Catherine Delesalle-Nancey
Infernal Discourse: Narrative Poetics among the Ashes of In Ballast to the White Sea and Under the Volcano
Christopher Madden
'Leaning forward eagerly': Malcolm Lowry's Moviegoers and In Ballast to the White Sea
Miguel Mota and Paul Tiessen
From In Ballast to the White Sea to Rumbo al Mar Blanco: The Spanish Reception of Malcolm Lowry's Unfinished Novel
Alberto Lena
'Glimpses of Immortality': Our Voyages with Vik Doyen
Sherrill Grace
Helen Tookey and Bryan Biggs
Haunted by Books: Malcolm Lowry's Ultramarine and In Ballast to the White Sea
Patrick A. McCarthy
'We've got a bastard duke on board': Class, Fantasy and Politics in Malcolm Lowry
Ben Clarke
Malcolm Lowry and the End of Communism
Mark Crawford
In Ballast to the White Sea: The Springboard for Russian Influences on Malcolm Lowry's Visionary Intellect
Nigel H. Foxcroft
In Ballast to the White Sea: A Plunge into the Matrix
Annick Droesdal-Levillain
Walking with Shadows: Index, Inscription and Event in Malcolm Lowry's In Ballast to the White Sea
Cian Quayle
'Hva vet vi?': In Ballast to the White Sea and the Weighting of Evidence
Chris Ackerley
Identity and Doubles: Being and Writing in Malcolm Lowry's In Ballast to the White Sea
Pierre Schaeffer
The Lost Other: Malcolm Lowry's Creative Process
Catherine Delesalle-Nancey
Infernal Discourse: Narrative Poetics among the Ashes of In Ballast to the White Sea and Under the Volcano
Christopher Madden
'Leaning forward eagerly': Malcolm Lowry's Moviegoers and In Ballast to the White Sea
Miguel Mota and Paul Tiessen
From In Ballast to the White Sea to Rumbo al Mar Blanco: The Spanish Reception of Malcolm Lowry's Unfinished Novel
Alberto Lena
'Glimpses of Immortality': Our Voyages with Vik Doyen
Sherrill Grace