
The Book of Portraiture
A Novel
Steve Tomasula(Author)
Fiction Collective Two (Publisher)
Will be published approx. on 30. March 2006
Book
Paperback/Softback
350 pages
978-1-57366-128-7 (ISBN)
Description
A desert nomad struggles at the close of the ancient world to inscribe himself into life, and centuries later a Renaissance artist attempts to overcome his lowly origins by painting nobility. Throughout Steve Tomasula's visually arresting fiction, human beings seek to become both what they are and are not through visual representation. An early twentieth-century psychoanalyst in search of a cure for sexual neurosis discovers the image of his own desire in a female client, and an accidental community of twenty-first century devotees of the image connects the pixels to make their group portrait come into focus. Across a canvas that spans centuries, several narrators look through the lens of their own time and portray objects of desire in paint, dreams, photography, electronic data, and genetic code. Together the images comprise a collage of styles, habits of mind, and ways of speaking which tell the story of people trying to understand the world and their place in it. ""The Book of Portraiture"" is a novel about the irrepressible impulse to picture ourselves, and about how, through this picturing, we continually re-create what it means to be human.
More details
Language
English
Place of publication
Normal
United States
Publishing group
The University of Alabama Press
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
Illustrations
Dimensions
Height: 213 mm
Width: 163 mm
Thickness: 24 mm
Weight
540 gr
ISBN-13
978-1-57366-128-7 (9781573661287)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Steve Tomasula is the author of the acclaimed novels IN & OZ (Night Shade Books, 2003) and VAS: An Opera in Flatland (Chicago, 2004). His short fiction has appeared in McSweeney's and The Iowa Review, where he received the distinguished Iowa Prize, and his writings on body art and culture have appeared in Leonardo and numerous arts journals. He teaches at the University of Notre Dame.