
Perspectives on Mozart Performance
Cambridge University Press
Published on 13. February 2006
Book
Paperback/Softback
264 pages
978-0-521-02406-8 (ISBN)
Description
Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. Several studies consider the eighteenth-century roots of Mozart's approach to performance and examine such issues as the role of ornamentation (Paul Badura-Skoda, Frederick Neumann), improvization (Katalin Komlos), cadenzas (Christoph Wolff), and Mozart's conception of tempos in a pre-metronomic age (Jean-Pierre Marty). Two studies examine Mozart's string writing (Jaap Schroeder) and the influence of his father's remarkably popular Violinschule (Robin Stowell). An essay by Peter Williams treats Mozart's use of the chromatic fourth and performance styles associated with that figura. Finally, the later, nineteenth-century response to Mozart is explored through the study of Mendelssohn's performances of Mozart (R. Larry Todd).
More details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Target group
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
Worked examples or Exercises
Dimensions
Height: 244 mm
Width: 170 mm
Thickness: 14 mm
Weight
462 gr
ISBN-13
978-0-521-02406-8 (9780521024068)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

R. Larry Todd | Peter Williams
Perspectives on Mozart Performance
Book
08/1991
Cambridge University Press
€49.52
Article exhausted; check for reprint
Previous edition

R. Larry Todd | Peter Williams
Perspectives on Mozart Performance
Book
08/1991
Cambridge University Press
€49.52
Article exhausted; check for reprint
Content
Preface; Acknowledgements; 1. Mozart's trills Paul Badura-Skoda; 2. 'Ich praeludirte und spielte Variazonen': Mozart the fortepianist Katalin Komlos; 3. Mozart's tempo indications and the problem of interpretation Jean-Pierre Marty; 4. On the problem of cadenzas in Mozart's violin concertos Eduard Melkus; 5. A new look at Mozart's prosodic appoggiatura Frederick Neumann; 6. A performer's thoughts on Mozart's violin style Jaap Schroeder; 7. Leopold Mozart Mozart revised: articulation in violin playing during the second half of the eighteenth century Robin Stowell; 8. Mozart according to Mendelssohn: a contribution to Rezeptionsgeschichte R. Larry Todd; 9. Some thoughts on Mozart's use of the chromatic fourth Peter Williams; 10. Cadenzas and styles of improvisation in Mozart's Piano Concertos Christoph Wolff; Indexes.