What Does It Mean to Be Post-Soviet?
Decolonial Art from the Ruins of the Soviet Empire
Published on 19. July 2018
Book
Paperback/Softback
160 pages
978-0-8223-7127-4 (ISBN)
Description
In What Does It Mean to Be Post-Soviet? Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future-which was at the core of the project of Soviet modernity-has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future.
Reviews / Votes
"Well researched and insightful. . . . Thought-provoking and compelling. . . . A valuable addition to any academic library that supports research in contemporary art, as well as institutions that support research in Slavic studies." - Melanie E. Emerson (ARLIS/NA Reviews) "Madina Tlostanova's search for decolonial art in the unlikeliest of places, vividly illustrated and peppered with live and virtual interviews with the artists themselves, makes the theoretical claims of the first three chapters come to life in the best possible way. Any reader curious about why art matters in what is indeed stereotypically thought as 'the ruins of the Soviet empire,' even those for whom this is a first primer into the debates of 'post-' and 'de-,' would understand the point of keeping those debates alive." - Anindita Banerjee (Russian Review) "The author's theorizing on decoloniality and art hits the mark as an invigorated way to interpret the achievements of recent 'activist art' in and around the Russian Federation and important multi-media work from the former Soviet empire's periphery ... The results are diverse and illuminating. What will eventually emerge from 'the Soviet empire's ruins'? Tlostanova does not prognosticate, rather she sets the stage for asking such questions in cogent, original, and revealing terms." - Matthew Jesse Jackson (Slavic Review) "More than anything else, What Does it Mean to be Post-Soviet? ultimately reads as an invitation to artists and thinkers from the post-socialist space to use their voice and inspire a more inclusive public sphere. In showing that regained critical awareness of heritage and affirming individual agency by giving a voice to imagination and affect are necessary conditions for countering narratives of oppression, Madina Tlostanova weaves what may become a model for critical theory of the 21st century." - Toma Peiu (Anthropology of Eastern Europe Review)More details
Series
Language
English
Place of publication
North Carolina
United States
Target group
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
21 illustrations
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 9 mm
Weight
234 gr
ISBN-13
978-0-8223-7127-4 (9780822371274)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Madina Tlostanova is Professor of Postcolonial Feminisms at LinkOEping University, Sweden, and the author of several books, most recently, Postcolonialism and Postsocialism in Fiction and Art: Resistance and Re-existence.
Content
Acknowledgments vii
Introduction. A Futureless Ontology? 1
1. The Decolonial Sublime 25
2. Decolonial Aesthesis and Post-Soviet Art 33
3. A Woman Who Has Many Selves and Takes Over Many Spaces: A Conversation with Liina Siib 65
4. Beyond Dependencies: A Talk with Vyacheslav Akhunov, the Lonely Ranger of Uzbeck Contemporary Art 84
5. Reflecting on Time, Space, and Memory with Afanassy Mamedov 106
Conclusion. People Are Silent . . . 119
Notes 129
References 135
Index 141
Introduction. A Futureless Ontology? 1
1. The Decolonial Sublime 25
2. Decolonial Aesthesis and Post-Soviet Art 33
3. A Woman Who Has Many Selves and Takes Over Many Spaces: A Conversation with Liina Siib 65
4. Beyond Dependencies: A Talk with Vyacheslav Akhunov, the Lonely Ranger of Uzbeck Contemporary Art 84
5. Reflecting on Time, Space, and Memory with Afanassy Mamedov 106
Conclusion. People Are Silent . . . 119
Notes 129
References 135
Index 141