
Testing Hearing
The Making of Modern Aurality
Oxford University Press Inc
Published on 22. October 2020
Book
Paperback/Softback
416 pages
978-0-19-751113-8 (ISBN)
Description
Testing Hearing: The Making of Modern Aurality argues that the modern cultural practices of hearing and testing have emerged from a long interrelationship. Since the early nineteenth century, auditory test tools (whether organ pipes or electronic tone generators) and the results of hearing tests have fed back into instrument calibration, human training, architecture, and the creation of new musical sounds. Hearing tests received a further boost around 1900 as a result of injury compensation laws and state and professional demands for aptitude testing in schools, conservatories, the military, and other fields. Applied at large scale, tests of seemingly small measure-of auditory acuity, of hearing range-helped redefine the modern concept of hearing as such. During the twentieth and twenty-first centuries, the epistemic function of hearing expanded. Hearing took on the dual role of test object and test instrument; in the latter case, human hearing became a gauge by which to evaluate or regulate materials, nonhuman organisms, equipment, and technological systems. This book considers both the testing of hearing and testing with hearing to explore the co-creation of modern epistemic and auditory cultures. The book's twelve contributors trace the design of ever more specific tests for the arts, education and communication, colonial and military applications, sociopolitical and industrial endeavors. Together, they demonstrate that testing as such became an enduring and wide-ranging cultural technique in the modern period, one that is situated between histories of scientific experimentation and many fields of application.
Reviews / Votes
[Testing Hearings] narratives are so convincing and insightful because they are rooted in long-standing interdisciplinarytraditions ofresearch in studies of science and technology, urban studies, music an musicology, and because they draw on rigorous research in archives that have been maderelevant through a focus on sound and hearing. The authors are able to ask new questions about sound and hearing because they can comfortably navigate claims and approaches at the intersections of fields of which they have intimate knowledge. * Karin Bijsterveld, Journal of the Royal Musical Association * This book shows that testing has long been critically embedded at the level of infrastructures...The second major intervention of this volume is its attention to the epistemic value of the aural to scientific practice. By bringing sound studies into conversation with history of science, this collection provides a new framework for analyzing the "co-creation of modern epistemic and auditory cultures" (p. 2). This broad framework aligns with a global focus, and this breadth reveals how science happens outside of traditional testing arenas. Testing hearing takes place not in laboratories but in laundromats, on streets, in submarines, studios, stages, and societies. * Coreen McGuire, Isis: A Journal of the History of Science Society * Highly Recommended. * M. Anderson, Southern Oregon University, CHOICE * That hearing norms are 'built into all manner of audio apparatus, from telephones to stereo speakers' is one of many insights in this intriguing interdisciplinary collection. Historians, having too long focused on technology's visual aspects, can surely benefit from understanding the configurational ramifications of the aural too. Testing Hearing helpfully turns our attention to consider how the power relations of listening and hearing are mediated by technologies ... the historicist volume reviewed here breaks new ground in focusing on the epistemic and politically charged issues of testing hearing. * Graeme Gooday, Technology & Culture * Comprehensive, multifaceted and absorbing, Testing Hearing is a major achievement, destined to become a classic of sound studies and beyond. * Veit Erlmann, University of Texas at Austin; Editor, Sound Studies * Testing Hearing explores 'the co-creation of epistemic and auditory cultures-indeed, the creation of modern aurality'...Testing Hearing has a thematic architecture, with sections focusing on the history of tests that screened human hearers 'out' and 'in'...Testing Hearing is also exemplary in its involvement of two experts in testing in the sciences, Hans-Joerg Rheinberger and Trevor Pinch, who offer supplementary commentaries on the collection' chapters from, respectively, the perspective of the history of science and that of science and technology studies (STS). * Karin Bijsterveld, Royal Musical Association *More details
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
Illustrations
30 illustrations
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 23 mm
Weight
626 gr
ISBN-13
978-0-19-751113-8 (9780197511138)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Book
10/2020
Oxford University Press Inc
€191.30
Shipment within 15-20 days

E-Book
08/2020
OUP eBook
€29.49
Available for download

E-Book
08/2020
OUP eBook
€29.49
Available for download
Persons
Viktoria Tkaczyk is Professor of Media and Knowledge Technologies at Humboldt University in Berlin.
Mara Mills is Associate Professor of Media, Culture, and Communication at New York University who works at the intersection of disability studies and media studies.
Alexandra Hui is Associate Professor of History at Mississippi State University and Co-Editor of the journal Isis.
Mara Mills is Associate Professor of Media, Culture, and Communication at New York University who works at the intersection of disability studies and media studies.
Alexandra Hui is Associate Professor of History at Mississippi State University and Co-Editor of the journal Isis.
Editor
Professor for the History of KnowledgeProfessor for the History of Knowledge, Humboldt-Universitaet zu Berlin
Associate Professor of Media, Culture, and CommunicationAssociate Professor of Media, Culture, and Communication, New York University
Associate Professor of HistoryAssociate Professor of History, Mississippi State University
Content
Testing Hearing: An Introduction
Alexandra Hui, Mara Mills, and Viktoria Tkaczyk
Sorting and Screening Human Hearers:
Testing the Culturally Molded Ear
Testing Hearing with Speech
Mara Mills
The Testing of a Hundred Listeners: Otto Abraham's Studies on "Absolute Tone Consciousness"
Viktoria Tkaczyk
Murray Island versus Aberdeenshire: Contextualizing the Cross-Cultural Hearing Tests of the Cambridge Anthropological Expedition to Torres Straits, 1898-1899
Sebastian Klotz
Designing Instruments, Calibrating machines
Hearing Perfection
Emily I. Dolan
Opelt's Siren and the Technologies of Musical Hearing
Alexander Rehding
The Software Passes the Test When the User Fails It: Constructing Digital Models of Analog Signal Processors
Jonathan Sterne
Managing Sound, Assessing Space
To Hear As I Do: The Concessions of Hearing in Taiwan's Noise Management System
Jennifer Hsieh
Testing Spatial Hearing and the Development of Kunstkopf Technology, 1957-1981
Stefan Krebs
Absorption, Transmission, Reflection: Testing Materials in the Laboratory
Roland Wittje
World as Testbed:
Testing beyond Human Auditory Perception
Of Silent Sirens and Pied Pipers: Auditory Thresholds and High-Frequency Technologies of Animal Control
Joeri Bruyninckx
Testing the Underwater Ear: Hearing, Standardizing, and Classifying Marine Sounds from World War I to the Cold War
Lino Camprubi and Alexandra Hui
This Is Not a Test: Listening with Guenther Anders in the Nuclear Age
Benjamin Steege
Afterword
Hans-Joerg Rheinberger and Trevor Pinch
Alexandra Hui, Mara Mills, and Viktoria Tkaczyk
Sorting and Screening Human Hearers:
Testing the Culturally Molded Ear
Testing Hearing with Speech
Mara Mills
The Testing of a Hundred Listeners: Otto Abraham's Studies on "Absolute Tone Consciousness"
Viktoria Tkaczyk
Murray Island versus Aberdeenshire: Contextualizing the Cross-Cultural Hearing Tests of the Cambridge Anthropological Expedition to Torres Straits, 1898-1899
Sebastian Klotz
Designing Instruments, Calibrating machines
Hearing Perfection
Emily I. Dolan
Opelt's Siren and the Technologies of Musical Hearing
Alexander Rehding
The Software Passes the Test When the User Fails It: Constructing Digital Models of Analog Signal Processors
Jonathan Sterne
Managing Sound, Assessing Space
To Hear As I Do: The Concessions of Hearing in Taiwan's Noise Management System
Jennifer Hsieh
Testing Spatial Hearing and the Development of Kunstkopf Technology, 1957-1981
Stefan Krebs
Absorption, Transmission, Reflection: Testing Materials in the Laboratory
Roland Wittje
World as Testbed:
Testing beyond Human Auditory Perception
Of Silent Sirens and Pied Pipers: Auditory Thresholds and High-Frequency Technologies of Animal Control
Joeri Bruyninckx
Testing the Underwater Ear: Hearing, Standardizing, and Classifying Marine Sounds from World War I to the Cold War
Lino Camprubi and Alexandra Hui
This Is Not a Test: Listening with Guenther Anders in the Nuclear Age
Benjamin Steege
Afterword
Hans-Joerg Rheinberger and Trevor Pinch