
Alice Tippit: Rose Obsolete
DePaul University Art Museum (Publisher)
Published on 27. March 2026
Book
Hardback
144 pages
978-1-7377609-3-1 (ISBN)
Description
A catalog of new and selected works by Chicago-based artist Alice Tippit.
Alice Tippit: Rose Obsolete is the first monographic catalog dedicated to the enigmatic and poetic work of Chicago-based artist Alice Tippit (b. 1975). Published on the occasion of a 2026 exhibition at DePaul Art Museum in Chicago, this volume brings together a selection of works spanning the last ten years, offering a compelling glimpse into Tippit's evolving paintings and works on paper.
This book also includes new essays by curator Ionit Behar and writers Johanna Fateman and Mary Simpson, who each offer distinct insights into Tippit's practice. Together, they consider questions central to Tippit's practice: What is the difference between looking and seeing? How do forms signify, and where does meaning reside? Through refined forms and spare compositions, her work resists straightforward interpretation, instead relying on the power of metaphor, ambiguity, and allusion to generate meaning. In Tippit's world, forms float untethered from narrative certainty, simultaneously seductive and elusive.
Alice Tippit: Rose Obsolete is the first monographic catalog dedicated to the enigmatic and poetic work of Chicago-based artist Alice Tippit (b. 1975). Published on the occasion of a 2026 exhibition at DePaul Art Museum in Chicago, this volume brings together a selection of works spanning the last ten years, offering a compelling glimpse into Tippit's evolving paintings and works on paper.
This book also includes new essays by curator Ionit Behar and writers Johanna Fateman and Mary Simpson, who each offer distinct insights into Tippit's practice. Together, they consider questions central to Tippit's practice: What is the difference between looking and seeing? How do forms signify, and where does meaning reside? Through refined forms and spare compositions, her work resists straightforward interpretation, instead relying on the power of metaphor, ambiguity, and allusion to generate meaning. In Tippit's world, forms float untethered from narrative certainty, simultaneously seductive and elusive.
More details
Language
English
Place of publication
Chicago
United States
Illustrations
60 color plates
Dimensions
Height: 260 mm
Width: 211 mm
Thickness: 21 mm
Weight
776 gr
ISBN-13
978-1-7377609-3-1 (9781737760931)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Ionit Behar is curator at DePaul Art Museum (DPAM) in Chicago, where she has organized solo and group exhibitions including Inigo Manglano-Ovalle: A Want for Nothing, Selva Aparicio: In Memory Of, Life Cycles, A Natural Turn, Solo(s): Krista Franklin, Claudia Pena Salinas: Quetzalli, and LatinXAmerican. Her independent projects include Del Otro Lado at O'Hare International Airport, 50 anos at SUBTE in Montevideo, and Nelly Agassi: No Limestone, Nor Marble at the Chicago Cultural Center.
Editor
Contributions
Foreword
Content
Contents
Director's Foreword and Acknowledgments
Laura-Caroline de Lara
Turning Things Upside Down: The Objects of Alice Tippit
Ionit Behar
Alice Tippit: Transmission, Decryption, and the Fullness of Empty Space
Johanna Fateman
The Rose Is Obsolete: Metaphor in the Works of Alice Tippit and William Carlos Williams
Mary Simpson
Plates
Artist Biography and Exhibition History
Contributors Biographies
Checklist of the Exhibition
Director's Foreword and Acknowledgments
Laura-Caroline de Lara
Turning Things Upside Down: The Objects of Alice Tippit
Ionit Behar
Alice Tippit: Transmission, Decryption, and the Fullness of Empty Space
Johanna Fateman
The Rose Is Obsolete: Metaphor in the Works of Alice Tippit and William Carlos Williams
Mary Simpson
Plates
Artist Biography and Exhibition History
Contributors Biographies
Checklist of the Exhibition