
Polyphony in Fiction
A Stylistic Analysis of "Middlemarch</I>, "Nostromo</I>, and "Herzog</I>
Masayuki Teranishi(Author)
Peter Lang Verlag
Published on 3. April 2008
Book
Paperback/Softback
328 pages
978-3-03911-363-7 (ISBN)
Description
The overall aim of this book is the application of stylistic theories and frameworks to literary texts for a deeper level of interpretation. For this purpose the author conducted an analysis based upon the concepts of 'polyphony' and 'focalization' of three novels from different literary periods commonly labeled 'Pre-modernism', 'Modernism', and 'Postmodernism', namely, George Eliot's Middlemarch (1871-2), Joseph Conrad's Nostromo (1904), and Saul Bellow's Herzog (1964). Inspired by the work of Russian linguist-philosopher Mikhail Bakhtin the author attempts to clarify stylistically how polyphony is textualized in each novel and how each mode of polyphony reflects less parochial literary and cultural trends.
More details
Edition
New edition
Language
English
Place of publication
Oxford
United Kingdom
Publishing group
Peter Lang Group AG, International Academic Publishers
Target group
Professional and scholarly
Edition type
New edition
Dimensions
Height: 220 mm
Width: 150 mm
Thickness: 18 mm
Weight
452 gr
ISBN-13
978-3-03911-363-7 (9783039113637)
Schweitzer Classification
Person
The Author: Masayuki Teranishi is an associate professor at the School of Human Science and Environment, the University of Hyogo, Japan. He obtained an M.A. in English Literary Studies, and in 2004 a Ph.D. at the University of Leeds. His current interests lie in English stylistics, specifically in the study of prose fiction, cognitive stylistics and pedagogical stylistics.
Content
Contents: 'Pre-modernist', 'Modernist' and 'Postmodernist'? Critical Reviews of Middlemarch, Nostromo and Herzog - Descriptive Framework: The Relation between Polyphony and Focalization - Polyphony and 'Pre-modernism'? A Stylistic Analysis of Middlemarch - A Mode of Polyphony in Nostromo under Modernist Influence - A Stylistic Analysis of Herzog: A Mode of Postmodern Polyphony.