
Art and Adaptability
Consciousness and Cognitive Culture
Gregory F. Tague(Author)
Brill (Publisher)
Published on 23. November 2017
Book
Hardback
216 pages
978-90-04-35452-4 (ISBN)
Description
Art and Adaptability argues for a co-evolution of theory of mind and material/art culture. The book covers relevant areas from great ape intelligence, hominin evolution, Stone Age tools, Paleolithic culture and art forms, to neurobiology. We use material and art objects, whether painting or sculpture, to modify our own and other people's thoughts so as to affect behavior. We don't just make judgments about mental states; we create objects about which we make judgments in which mental states are inherent. Moreover, we make judgments about these objects to facilitate how we explore the minds and feelings of others. The argument is that it's not so much art because of theory of mind but art as theory of mind.
Reviews / Votes
"The text is said to offer a novel hypothesis on the evolutionary roots of art, based on theory of mind. In itself, this proposal is compelling..."- Larissa Mendoza Straffon, Leiden University Centre for the Arts in Society
"The general argument of the book is interesting and sound, and is well developed with different layer of explanation.... The manuscript fits within an upcoming and ongoing tendency to study the origins of art from a cognitive perspective that specifically emphasizes theory of mind...doing so from a similarly interdisciplinary point of view. As such, the contents are both innovative and fitting within actual developments in this field."
- Eveline Seghers, Department of Art, Music and Theatre Studies, Ghent University
"Gregory F. Tague approaches two ancient questions, what is art and what does it do, in a new and intriguing way. Drawing on science, specifically evolution through natural selection, he proposes that art, like other forms of social behavior, is in part genetic, creative or imaginative impulse, and part environmental, social interaction. Support for this proposal comes from primate studies and current studies in neurobiology, cognition, intelligence and communication. He proposes, and I agree, that culture is common among great apes with whom we share social and mental abilities. Modern humans, however, unlike other primates, have a more highly degreed theory of mind. This ability to make predictions based on the perceived mental states of others facilitated our ancestors' ability to competitively cooperate. Culture, which would include art, was, as he explains, "part of a predictive attempt to affect another's emotional or cognitive outcome, often in subtle ways." As influence is a critical part of social behavior, art, which has costs that can be quite high, provides social benefits.
In sum, the road Tague takes to answering the questions - what is art and what does it do, how might it be connected to health, pleasure, play, sociality, and emotions - is complex; however, art is not a simple thing to explain. While he draws on many variables to build and support his argument, he provides the reader with a provocative and enlightening journey. Art and Adaptability is an excellent book - a fabulous search through many fields for an explanation of the curious behavior we call art." - Kathryn Coe, Ph.D., Professor and Lilly Scholar in the Social and Behavioral Sciences, Indiana University-Purdue University. Author, The Ancestress Hypothesis: Visual Art as Adaptation
More details
Series
Language
English
Place of publication
Leiden
Netherlands
Target group
College/higher education
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 236 mm
Width: 160 mm
Thickness: 18 mm
Weight
386 gr
ISBN-13
978-90-04-35452-4 (9789004354524)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Gregory F. Tague, Ph.D. (1998), New York University, is Professor of English and founder and senior developer of The Evolutionary Studies Collaborative at St. Francis College, N.Y. Recent, relevant books include Evolution and Human Culture (Brill|Rodopi, 2016) and Making Mind: Moral Sense and Consciousness (Rodopi, 2014).
Content
Acknowledgements
Simplified Radiations of Select Primate Species
Simplified Radiations of Select Hominin Species
The Long Pleistocene
Introduction: Setting Boundaries
1 Intelligence: Communication and Theory of Mind
?Great Ape Intelligence and Communication
?Symbolic Communication and Consciousness
?Inter-Subjectivity and Evolution
?Great Ape Theory of Mind
?Human Theory of Mind
?Artificial Intelligence
?The Anthropocentric Attitude
?Chapter One Dovetail
2 Culture: The Adapted Mind
?Human Network: Scope and Scale
?Symbolic Culture
?Culture and the Adapted Mind
?Gene/Culture Co-Evolution
?Culture and Social Selection
?Culture and Epigenetics
?Mind Sharing
?Chapter Two Dovetail
3 Adaptive Functions: Selection and the Human Psyche
?Adaptation and Natural Selection Defined
?Phenomenal Consciousness
?Adaptive Problems and Questions
?Darwin and Natural Selection
?Darwin and Sexual Selection
?Selection and Tools
?Cognition, Cooperation, and Extended Evolution
?Making Special
?Pleistocene Landscape Preferences
?Can We Define Art?
?Neanderthals and Art
?Cave Painting and Superstition
?Art and Altered States of Consciousness
?Cave Art and Images
?Art and the Human Psyche
?Beauty, the Brain, and the Body
?Chapter Three Dovetail
4 Objections: Philosophy and Byproducts
?Philosophy and Art
?Pinker's Cheesecake for the Mind
?An Art Instinct?
?Corrective to Art as Sexual Selection
?Humanology
?Social Selection Over Sexual Selection?
?The Biology of Art as Speculative?
?Two Hypotheses
?Explanatory Dilemma
?Chapter Four Dovetail
5 Neurobiology and Cognition: Consciousness and Representation
?Artistic Behavior and the Social Brain
?The Subject of Aesthetics
?Orienting Creative Cognition
?Art, Ambiguity, and Making Meaning
?Representation and Metarepresentation
?Bodily and Cultural Consciousness
?Line or Color?
?Seeing Reality Abstractly
?Knowledge, Beauty, and Neutrality
?From Discontinuity to Essence
?Brain Sight and Insight
?Beauty and Cognitive Emotions
?Ritual Art
?Chapter Five Dovetail
Conclusion: The Arts and Sciences
Bibliography
Index
Simplified Radiations of Select Primate Species
Simplified Radiations of Select Hominin Species
The Long Pleistocene
Introduction: Setting Boundaries
1 Intelligence: Communication and Theory of Mind
?Great Ape Intelligence and Communication
?Symbolic Communication and Consciousness
?Inter-Subjectivity and Evolution
?Great Ape Theory of Mind
?Human Theory of Mind
?Artificial Intelligence
?The Anthropocentric Attitude
?Chapter One Dovetail
2 Culture: The Adapted Mind
?Human Network: Scope and Scale
?Symbolic Culture
?Culture and the Adapted Mind
?Gene/Culture Co-Evolution
?Culture and Social Selection
?Culture and Epigenetics
?Mind Sharing
?Chapter Two Dovetail
3 Adaptive Functions: Selection and the Human Psyche
?Adaptation and Natural Selection Defined
?Phenomenal Consciousness
?Adaptive Problems and Questions
?Darwin and Natural Selection
?Darwin and Sexual Selection
?Selection and Tools
?Cognition, Cooperation, and Extended Evolution
?Making Special
?Pleistocene Landscape Preferences
?Can We Define Art?
?Neanderthals and Art
?Cave Painting and Superstition
?Art and Altered States of Consciousness
?Cave Art and Images
?Art and the Human Psyche
?Beauty, the Brain, and the Body
?Chapter Three Dovetail
4 Objections: Philosophy and Byproducts
?Philosophy and Art
?Pinker's Cheesecake for the Mind
?An Art Instinct?
?Corrective to Art as Sexual Selection
?Humanology
?Social Selection Over Sexual Selection?
?The Biology of Art as Speculative?
?Two Hypotheses
?Explanatory Dilemma
?Chapter Four Dovetail
5 Neurobiology and Cognition: Consciousness and Representation
?Artistic Behavior and the Social Brain
?The Subject of Aesthetics
?Orienting Creative Cognition
?Art, Ambiguity, and Making Meaning
?Representation and Metarepresentation
?Bodily and Cultural Consciousness
?Line or Color?
?Seeing Reality Abstractly
?Knowledge, Beauty, and Neutrality
?From Discontinuity to Essence
?Brain Sight and Insight
?Beauty and Cognitive Emotions
?Ritual Art
?Chapter Five Dovetail
Conclusion: The Arts and Sciences
Bibliography
Index