
Send
Kay Syrad(Author)
Cinnamon Press
Published on 30. September 2015
Book
Paperback/Softback
148 pages
978-1-909077-79-9 (ISBN)
Description
Set in a 1950s TB hospital this extraordinary, but accessible novella explores the mystery of pre-verbal experience and one doctor's obsession with it. -- Cyngor Llyfrau Cymru
Reviews / Votes
Set in the 1950s, this novel is an accessible and engaging look at pre-verbal experience. Infancy literally means 'the inability to speak'; a mysterious time. The protagonist, Dr. Maxwell Morley, is a chest physician who has devoted his life to his work. He diagnoses Lilian - who is heavily pregnant - with tuberculosis. She is put in an isolation ward; the baby removed at birth and later sent to a children's home. Morley, however, is uncertain of his diagnosis, and unsettled at the prospect of professional failure, he frequently visits the motherless infant (Lily), drawing the Matron of the children's home, Elizabeth Ford, into his quest to 'save' Lily. Elizabeth observes Morley's unusual behaviour, at first with interest, later with dismay, as he becomes increasingly obsessed with the wordless baby. Meanwhile, Lilian and her husband Joe challenge the medical authorities, suspecting that the diagnosis is inaccurate and that their baby has been removed unnecessarily. Joe decides not to wait for the authorities to respond and uses his own strength and skills as a boxer to tackle Morley directly. As a result of his injuries, Morley comes to believe that he has direct access to the non-verbal Lily tries to take the baby to his home, jeopardising his career further. Arrested, his reputation in ruins, Morley finally has to accept that infancy, like desire remains a closed mystery. -- Publisher: Cinnamon PressMore details
Language
English
Place of publication
Blaenau Ffestiniog
United Kingdom
Dimensions
Height: 198 mm
Width: 130 mm
ISBN-13
978-1-909077-79-9 (9781909077799)
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Schweitzer Classification
Person
Kay Syrad's publications include a collection of poetry, Double Edge (Pighog, 2012); two novels, The Milliner and the Phrenologist (2009, reprinted 2012), Send (2015, both published by Cinnamon), Exchange, an art-text collaboration with environmental artist, Chris Drury (Little Toller, 2015), based on a rural residency and exhibition for the climate change cultural organisation, Cape Farewell, and the poetry collection, Inland (Cinnamon Press). Kay, who lives in East Sussex, often collaborates with artists: she has worked with the international art collective Sensory Sites and, between 2013-2016, was the commissioned writer on Last Station, a multi-media arts project exploring the history of the British lightships that used to be stationed around Britain's coasts; here she wrote the libretto for a choral piece featuring an original score by the jazz and world-musician, Trevor Watts, and her artist's book for the project, 1000 tasks: work of the lightship men, was bought by the National Maritime Museum for their permanent collection. With the performer Clare Whistler she has contributed work to Art: Language: Location (Cambridge, 2013) and Telling Stories II at Sevenoaks Library Art Gallery (2014). Kay also writes reviews and articles for various poetry journals.