To Wake the Nations
Race in the Making of American Literature
Published on 15. July 1998
Book
Paperback/Softback
720 pages
978-0-674-89331-3 (ISBN)
Description
This powerful book argues that white culture in America does not exist apart from black culture. The revolution of the rights of man that established this country collided long ago with the system of slavery, and we have been trying to reestablish a steady course for ourselves ever since. To Wake the Nations is urgent and rousing: we have integrated our buses, schools, and factories, but not the canon of American literature. That is the task Eric Sundquist has assumed in a book that ranges from politics to literature, from Uncle Remus to African American spirituals. But the hallmark of this volume is a sweeping reevaluation of the glory years of American literature-from 1830 to 1930-that shows how white literature and black literature form a single interwoven tradition.
By examining African America's contested relation to the intellectual and literary forms of white culture, Sundquist reconstructs the main lines of American literary tradition from the decades before the Civil War through the early twentieth century. An opening discussion of Nat Turner's "Confessions," recorded by a white man, Thomas Gray, establishes a paradigm for the complexity of meanings that Sundquist uncovers in American literary texts. Focusing on Frederick Douglass's autobiographical books, Herman Melville's Benito Cereno, Martin Delany's novel Blake; or the Huts of America, Mark Twain's Pudd'nhead Wilson, Charles Chesnutt's fiction, and W. E. B. Du Bois's The Souls of Black Folk and Darkwater, Sundquist considers each text against a rich background of history, law, literature, politics, religion, folklore, music, and dance. These readings lead to insights into components of the culture at large: slavery as it intersected with postcolonial revolutionary ideology; literary representations of the legal and political foundations of segregation; and the transformation of elements of African and antebellum folk consciousness into the public forms of American literature.
By examining African America's contested relation to the intellectual and literary forms of white culture, Sundquist reconstructs the main lines of American literary tradition from the decades before the Civil War through the early twentieth century. An opening discussion of Nat Turner's "Confessions," recorded by a white man, Thomas Gray, establishes a paradigm for the complexity of meanings that Sundquist uncovers in American literary texts. Focusing on Frederick Douglass's autobiographical books, Herman Melville's Benito Cereno, Martin Delany's novel Blake; or the Huts of America, Mark Twain's Pudd'nhead Wilson, Charles Chesnutt's fiction, and W. E. B. Du Bois's The Souls of Black Folk and Darkwater, Sundquist considers each text against a rich background of history, law, literature, politics, religion, folklore, music, and dance. These readings lead to insights into components of the culture at large: slavery as it intersected with postcolonial revolutionary ideology; literary representations of the legal and political foundations of segregation; and the transformation of elements of African and antebellum folk consciousness into the public forms of American literature.
Reviews / Votes
Sundquist's book...helps reframe for a new time the questions, moral as well as aesthetic, we need to ask about what constitutes American literature and about what is to be valued in American culture. -- Paul Lauter * Boston Globe * A major contribution to [the] continuing reconfiguration of the body of American writing. -- A. L. Nielsen * Washington Post * Nothing less than a full-scale revision of U.S. literary history... To Wake the Nations is an indispensable tool for broadening received conceptions of this nation's literary history, making them both more comprehensive and, in the most profound sense, more true. -- Phillip Brian Harper * Newsday * To Wake the Nations will stand as the most comprehensive and conscientious study of its subject that has yet appeared. -- William L. Andrews * American Literature * Thus instead of literary history that invokes the same, shopworn links between old world and new, readers of To Wake the Nations will discover a not-so-subtle change in the frame of reference from Europe to Africa... This radical reconstruction of American literary history results in a dazzling if somewhat humbling experience for readers schooled in the European tradition. Sundquist's conscientious scholarship and immense learning set a high standard for future scholars that will not soon be matched. -- Jonathan Veitch * Clio * To Wake the Nations brilliantly weaves [Sundquist's] analysis of African American 'sorrow songs' with textual material. -- David Yaffe * Bookforum * A major work of American literary criticism. Comparable in importance to Henry Nash Smith's Virgin Land and Leo Marx's The Machine in the Garden. * Choice * Almost certainly the finest book yet written on race and American literature... [To Wake the Nations] amounts to a startlingly penetrating commentary on American culture, a commentary that should have a powerful impact on areas far beyond the texts investigated here. -- Arnold Rampersad, Princeton UniversityMore details
Language
English
Place of publication
Cambridge, Mass
United States
Target group
College/higher education
Professional and scholarly
Illustrations
4 musical examples
Dimensions
Height: 235 mm
Width: 162 mm
Weight
962 gr
ISBN-13
978-0-674-89331-3 (9780674893313)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Eric J. Sundquist is Andrew W. Mellon Professor of the Humanities and Chair of the Department of English at Johns Hopkins University.
Content
Introduction PART I: SLAVERY, REVOLUTION, RENAISSANCE 1. Signs of Power: Nat Turner and Frederick Douglass San Domingo and Its Patriots Nat Turner, Thomas Gray, and the Phenomenology of Slavery Ibo Warriors Blackhead Signpost: Prophecy and Terror Frederick Douglass's Revisions Iron Sentences: Paternity, Literacy, Liberty Broken Fetters: The Right of Revolution 2. Melville, Delany, and New World Slavery Memory, Authority, and the Shadowy Tableau The Play of the Barber Ashantee Conjurors: Africanisms and Africanization The Law of Nature or the Hive of Subtlety Caribbean Empires "It Is Wrote in Jeremiah": American Maroons Sugar, Conspiracy, and the Ladder El Dia de los Reyes PART II: THE COLOR LINE 3. Mark Twain and Homer Plessy The Second Slavery The Badge of Servitude: Homer Plessy and the Rise of Segregation Blaspheming Colors, Extraordinary Twins A Whisper to the Reader 4. Charles Chesnutt's Cakewalk The Origin of the Cakewalk Word Shadows and Alternating Sounds: Folklore, Dialect, and Vernacular Uncle Remus, Uncle Julius, and the New Negro "De Ole Times," Slave Culture, and Africa Talking Bones: Conjure and Narrative White Weeds: The Pathology of the Color Line Fusion: The Marrow of Tradition A Great Black Figure and a Doll PART III: W. E. B. DU BOIS: AFRICAN AMERICA AND THE KINGDOM OF CULTURE 5. Swing Low: The Souls of Black Folk In the Kingdom of Culture "This Wonderful Music of Bondage" Bright Sparkles: Music and Text Black and Unknown Bards: A Theory of the Sorrow Songs 6. The Spell of Africa The Color Line Belts the World "Ethiopia Shall Stretch Forth Her Hands": Toward Pan-Africanism Africa: The Hidden Self and the Pageant of Nationalism The Burden of Black Women The Black Christ and Other Prophets Notes Acknowledgments Index