Music, Language, Speech and Brain

Knowledge of language and the sounds of speech, M. Halle and K.N. Stevens; structure and association in descriptions of music, with a coda on linguistic analogies, W. Slawson; some lines of poetry viewed as music, F. Lerdahl and J. Halle; the melodic structures of music and speech - applications and dimensions of the implication-realization model, E. Narmour; magritte, music and methods of language description, B. Sigurd; invariance in the linguistic expression, with digression into music, J. Rischel; durationally specified intonation in English and Bengali, B. Hayes and A. Lahiri; summary and discussion of descriptions of music and language, O. Fujimura; speech research - an overview, I. Lehiste; rhythm, accentuation and final lengthening in French, J. Vaissiere; performance rules in a text-to-speech system, R. Carlson and B. Granstrom; music and the phonological principle - remarks from the phonetician's bench, J.B. Pierrehumbert; emotion expression in speech and music, K.R. Scherer; linguistic rhythm and speech segmentation, A. Cutler; summary and discussion of speech performance, G. Bruce; music performance research - an overview, J. Sundberg; expression and communication in musical performance, E.F. Clarke; recent work in real-time music understanding by computer, R.B. Dannenberg; context-dependent intonation variants of melodic intervals, A. Rakowski; summary and discussion of music performance, A. Gabrielsson; analogies in the production of speech and music, J. Liljencrants; the human voice as a biological musical instrument, I.R. Titze; voices and strings - close cousins or not?, A. Askenfelt; some cognitive and perceptual aspects of speech and music, B.H. Repp; melodic structure - theoretical and empirical descriptions, C.L. Krumhansl; using brief glimpses to decompose mixtures, A.S. Bregman; lexical alignment and activation in spoken word recognition, U.H. Frauenfelder; summary and discussion of cognitive and perceptual aspects, B. Lindblom; neurophysiology of brain function - an overview, H.W. Gordon and K. Bellamy; EEG studies in the perception of simple and complex rhythms, H. Petsche, et al; prosody, musical rhythm, tone pitch and response initiation during amytal hemisphere anaesthesia, H.M. Borchgrevink; the "composition" of thought and behaviour, A.Wirsen; cognitive and brain mechanisms in perceptual learning, J.J. Bharucha; expressive performance with electronic instruments, M.V. Mathews; speech and music combined - an overview, J-C. Risset; stress patterns and rhythm in the reading of prose and poetry with apologies to music performance, G. Fant, et al; the relationship of text and tune in Chinese opera, B. Yung; interrelationships between verbal and musical grammars, M. Baroni; speech and discussion of speech and music combined, J. Rischel; comments on the symposium, J. Rischel; summary, J. Sundberg.